Microwave XTK has arrived
But it does look fantastic. And I have been chasing one for a few years, so to actually own one finally is a great feeling.
Just for the record(s)
Internet music game
Here are the rules:
1. Go to Wikipedia and hit “random” and the first article you get is the name of your band.
2. Go to “Random Quotations”. The last four or five words of the very last quote of the page will be the title of your new album.
3. Go to Flickr and click on “Explore the Last Seven Days”. The third picture, no matter what it is, will be your album cover.
Of course I thought I would have a go and was rather pleased with the result:
The quote is from Miss Piggy on the Muppets (it sounds like a crappy U2 album title to me). The band title is a place in New Zealand. The photo is rather cool.
However, I wouldn't anticipate finding "Never Eat More Than You Can Lift" on Amazon anytime soon.
eBay and GAS
Around the turn of the millennium, it was still possible to find some great bargains as people offloaded their outboard in favour of software. I can only assume there are an increasing number of like-minded musicians who use the short sightedness of others to acquire bigger studios. Obviously, this has all happened before when digital synths arrived and analogue instruments were dropped like hot potatoes. However, it took many years before analogue became converted and prices inflated. Then some fool went and invented ‘electronica’ ‘rave’ or whatever else you want to call it and eventually everyone wanted a TB-303 (I can’t bring myself to comment on the £1000+ TB-303 phenomenon).
Yet the outboard being off loaded by musicians at the moment is not necessarily iconic or unique and still commands large sums of cash. I will give you some examples:
£300 start price with £40 postage for a Korg 01/W?
It is not 1995 anymore. I want one but only because they should be cheap but cheerful.
£900 for a Jupiter 4 with 24 hours still to run?
Are you people mad or just rich? It says 4 not 8.
£250+ for a Roland SH-101
Back in 1990 I had the choice of a DX100 or an SH-101. Each were £90-100 as I remember. I chose the DX100. I really am stupid sometimes.
£320 for a Korg Trinity
Surely you can find a Triton for less than this?
I am VERY excited about the synth I am currently bidding on. This synth is a long-term target that is very rare and my bids are rather high. Thus, I guess I am as guilty as anyone for pushing up prices. Yet my pulse quickens at thought of owning this one and if I win you’re sure to see it here. Watch this space.
Yes? Well maybe....
I have now heard all but one of the tracks from the new Pet Shop Boys album 'Yes' and the first word that springs to mind is 'pop'. That 'Girls Aloud' chart fodder type of pop.
Don't get me wrong there is nothing wrong with pop, I like pop music, but I still long for the 'electro' album they always threaten to make. When you hire Xenomania to produce your album you are obviously going to end up with a 'pop' recording, yet there are glimpses of what could have been.
The bassline on 'Did you see me coming?' is quite sublime, 'Love etc' is almost pure electro, ' 'Legacy' has snatches of techno, 'More Than A Dream' could be a house track from 1991 and 'The Way it used to be' is crying out for a DFA remix.
Yet Neil sings his 'X-factor' styled vocals over pure bubblegum pop backing tracks with an unhealthy dose of Johnny Marr guitar. With every PSB release I seem to raise my hopes that they will recreate 'Please' or 'Disco' in a Kraftwerk/eletro style (imagine my near hysterical excitement at the pre-release of 'Psychological' from 'Fundamental') only to be disappointed.
However I will take 'Yes' for what it is and enjoy it none the less. In reality I should just be thankful that my favourite group still create new music. I guess 25 years of being a 'pethead' is making me selfish.
Speaking of 25 years, there is a free CD 'Pet Shop Boys Story: 25 Years of Hits' included in the Mail on Sunday today. If you can face buying such a rag. I recommend you take out the CD and throw the newspaper in the bin immediately.
Now that's what I call a 'box set'
There is a long history of Mute ‘getting it right’. The Depeche Mode and Erasure singles ‘box sets’ of the last few years are just one example of this. This latest release is packed with goodies for fans and has me almost as excited as the release of ‘Yes’. It also makes me wish that EMI’s other subsidiary, Parlophone would do something similar for the upcoming Pet Shop Boys album (and ‘box set(s)’ for Neil and Chris’s singles/remixes are long overdue). So, as much as the record industry might bemoan the advent of the mp3 they should also learn that the physical product must be of a superior quality (regardless of cost) if they wish to sell CD’s to the hardcore fans that keep them afloat.