Trevor Horn book

I like the work of Trevor Horn. I don't regard him as a 'production god' or the new messiah, but there are quite a few records in my collection that bear his name. As a result, I took a great interest in his recently published autobiography. 

The book is generally quite good and is full of interesting stories. However, there are some aspects of the book that contradict other people's accounts and whole chunks of Horn's career seem to be omitted.

In the book Trevor repeats the story that the lady who says "Goodbye" in ABC's "Look of Love" is the actual girl Martin is singing about in the song. However, in a podcast first broadcast in April this year, engineer Gary Langan tells us the lady in question was actually the receptionist at SARM studios who happened to be his girlfriend and not Martin's. Who to believe?

Trevor recites a tale of meeting Michael Mertens in the canteen at Townhouse Studios following Propaganda's defection to Virgin Records. In the book Mertens approaches Horn and gets short shrift. In Mertens' version published on Facebook he merely says hello to Horn and receives an angry tirade in return.

I am not a Frankie Goes to Hollywood fan so I don't really know their history; but Horn's account of the band's demise and the subsequent court case seems relatively cursory to me. Maybe this is because Trevor regards this as a less interesting aspect of his career and he doesn't want to dwell on it. Maybe he doesn't go into detail because ZTT lost the court case. Either way, those looking for more information about the whole Frankie saga will be left a little wanting. 

There is no mention of recording "It's Alright" with the Pet Shop Boys and only some vague references to the creation of the album "Fundamental". Disappointingly there is no room for Mike Oldfield's "Tubular Bells II" and the chapter dedicated to Seal only discusses "Crazy".

I acknowledge you can fit everything into one book and at no point does Trevor state this is a definitive version of events; but I still felt a little short changed. Hell, the only production tip I got from the whole book is that tweaking a mix to get a good stereo field can be a waste of time: just pan some things hard left and others hard right. Easy. 

So whilst it is an interesting book, it is not perfect. This is clearly one man's recollection of events and as Winston Churchill wrote, "History is written by the victors."

Literary disppointments

I'm reading two books at the minute. Both are related to electronic music and both are pretty poor.

I imagined "Computer World" by Steve Tupai Francis to be a detailed discourse on the album of the same name by Kraftwerk. In reality this book is yet another biography of the band that rehashes the same old sources and tells the same tales.

In fairness, I think my opinion of this book suffers because I am reading it immediately after devouring Karl Bartos's memoir "The Sound of the Machine – My Life in Kraftwerk and Beyond" which contains valuable insight and fascinating stories about the creation of the album. I can recommend the Bartos book without hesitation.

It's a similar position with the second book "The Human League and the Sheffield electro scene" which I am reading soon after finishing Martyn Ware's autobiography.

There's nothing new in the book's examination of the songs and things feel rote compared to Ware's analysis. The author repeatedly refers to Sheffield as a "small city" and seems to regard the subject matter with mild disdain. This book feels like a commission rather than a labour of love. When I read about the influence of "Eileen Derbyshire" who worked for the "Doctor Who Sound Workshop" (p41) the credibility of the author evaporated completely.

Whilst it may make sense to the author to include an examination of Heaven 17 material until the release of "How Men Are", his decision to stop at this point feels arbitrary. The assertion that The Human League and Heaven 17 became "too divergent" at this point doesn't make sense. Both bands were set on very different courses from the moment Phil and Virgin Records fired Martyn and made an all out assault on the charts. I also think the approach of this book is quite disrespectful to Heaven 17 who merit a book of their own rather than being rolled up as an adjunct.