One record at a time: 84. JB Dunckel - H+

This is the second solo album by Jean-Benoît Dunckel - who was one half of the duo Air (or is it AIR? I'm never sure). I wasn't really aware of this record when it was released, but it came up as a recommendation on Amazon last year and, as it wasn't too expensive, I purchased it. Any album that features Jean-Benoît's vocals will always be reminiscent of Air, but there is enough to differentiate this album and make it a worthy addition to my collection.

The first two tracks, "Hold On" and "Love Machine" are surprisingly upbeat and catchy songs. "The Garden" is a more wistful mid-tempo track that combines breathy vocals with soaring strings and remains the equal of the first two tracks. "Transhumanity" brings the analogue synths to the fore with a melody that reminds me of "Night Café" by Orchestral Manoeuvres in the Dark. 

There's something about these tracks that sounds more care-free and joyful than Air. I remember reading there were often tensions between Jean-Benoît and Nicolas, but I think I assumed this tension drove them to new artistic heights. However, this album would suggest that the tension was not a pre-requisite to the success of the band as Jean-Benoît is clearly capable of producing high quality music on his own.

"Space Age" uses a Korg MS-20 arpeggio that somehow instantly makes you think of outer space as the strings and piano whirl around the speakers. As the second side of the album progresses the tempo slows and remains fixed at "background music for a dinner party" levels. "Show Your Love" even uses a vocoder to obscure the vocal to ensure that nothing will disturb the consumption of your sole meunière. "Ballad Non Sense" uses the chords from "Dance Hall Days" by Wang Chung with a vibraphone wandering around over the top. It's a bit like listening to Mike Oldfield's "Incantations" at the wrong speed. What's more surprising is that it is quite entertaining. This is a worthy album and essential for any fan of Air (or AIR). 4/5

One record at a time: 6. Air - Twentyears

So, we come to record number six in my collection, the <ahem> unforgettable "Twentyears" by Air. As you may have noticed I am trying to work my way through my record collection in alphabetical order by artist; so coming back to the letter 'a' after over eighty entries is a bit of a cock up.

For some reason I keep box sets on different shelves to the rest of my collection and whilst I've had my eye on them to ensure I don't forget Enigma "The Complete Studioalbum Collection" (sic), I have completely overlooked this one.

"Twentyears" is a 'career defining' compilation album that was released on a variety of formats, including the three CD and double vinyl box set I am looking at today. In keeping with process I'm just going to play the vinyl today.

The first track "La Femme D'Argent" is taken from their classic debut album "Moon Safari". This song is a fantastic, laid back instrumental beamed to us from 1976. You can smell the flares and handlebar moustaches as Jean-Benoît teases licks and trills from the Rhodes piano.

I think must have already stated on this blog that the next track, "Cherry Blossom Girl" is a masterpiece, but it doesn't hurt to reiterate this and assert that no compilation album for Air would be complete without it. Another of my favourite tracks "Kelly Watch The Stars" features Solina synths stings, vocoder vocals and a Minimoog bassline - what's not to like!? At this stage, such an embarrassment of riches means I am beginning to think that this could be the best compilation album ever. However, things go a bit awry with "Playground Love" and "Sexy Boy" which aren't really to my taste. In fact, I hate "Sexy Boy". I have hated it since the first day I heard it wafting out the window of a student house sometime in 1998. I like a lot of Air's music but that one song really annoys me and I don't listen to it. So I've skipped it.

The Rhodes piano is wheeled out again for "All I Need" which is complimented by the etherial vocal talent of Beth Hirsch. The advert friendly "Alpha Beta Gaga" is presented as the "Single Edit" which unfortunately trims a minute and a half from the running time. If running time was a concern I would have suggested they jettison one of the less successful tracks (read awful) such as "How Does It Make You Feel?" rather than chopping up a good one.

Next up is the best song from the "Pocket Symphony" album, "Once Upon a Time". This is a dreamy piano driven song that Air always seemed to excel in delivering. I find "Alone In Kyoto" mesmerising and consider it one of their finest works. "Talisman" uses the same recipe as "La Femme D'Argent" but isn't nearly as good. "Run" is undoubtedly excellent and closing track "Le Soleil Est Près De Moi" is as relaxed and chilled a track as you could ever expect to hear.

Having reached the end, I am left a little bemused by this compilation. There is no track from the "Love 2" album and "Mer du Japon" should be on any and every Air compilation. The inclusion of the frankly awful "How Does It Make You Feel?" in preference to the tolerable "Don't Be Light" from the same album is mystifying. 3/5

One of our records is missing.....

So. I don't have the biggest record collection in the world, but it is sufficiently large for me to find them difficult to keep track of. As a consequence of my disorganisation/confusion, I now realise that I have missed out a record that should have constituted entry number 6. 

You see, I tend to keep my box sets and special editions separately from my 'standard' records and I have inadvertently missed AIR "Twentyyears" as I worked my way though the shelves of vinyl.

I knew this day would come, but now it is here, I am not sure how to remedy it. I might just have to renumber the vast majority of entries and add a 'retrospective' review for "Twentyears" out of sequence.

One record at a time: 5. Air - Talkie Walkie

I have to be clear from the start that AIR "Talkie Walkie" has always been one of my favorite albums. I quite liked "Moon Safari" (but I have always hated "Sexy Boy") and 10,000hz Legend was a load of garbage; so why did I buy this album? I think it must have been after seeing "Lost in Translation" - but more on that in a minute.

Anyway, I own a couple of copies of the original CD and this 2015 180g (try buying anything else nowadays) vinyl pressing is being played today. Discogs says my copy is a US release which tells you all you need to know about the accuracy of the peer review process (if Wikipedia hadn't told you this already).

As I drop the needle on this record I am instantly transported to planet AIR. Things kick off with "Venus" which is both catchy and displays a quirky sense of humour. "Cherry Blossom Girl" is achingly beautiful; and one of the highlights of the album for me. "Run" is a hypnotic journey that couldn't sound any more Gallic if it tried. "Universal Traveler" and "Mike Mills" throw some acoustic guitar into the heady mix of heavily accented vocals and ethereal chords to great effect. Don't misunderstand me when I refer to Jean-Benoît's vocal delivery - it is as unique and endearing as any of any vocalist I have heard.

The single "Surfing on a Rocket" is OK but not a stand out for me. "Another Day" is a composition that plods along a bit but thankfully never labours the point. "Alpha Beta Gaga" has become a some sort of advertising jingle that lots of people will recognise without fully appreciating. "Biological" allows us to catch our breath with its retro bass guitar, banjo and theremin, but it is just last too long. If it was cut in half I could live with it a bit better. Some of this feeling may be because I'm just in a hurry to reach the exquisite "Alone in Kyoto" which follows. This track is mesmerising and I find it achingly beautiful. I hear new things in this track almost every time I play it and, unlike its predecessor, it just doesn't last long enough. On this play through I realise this album isn't as faultless as my memory tells me it is, but few albums come so close to perfection. 5/5

One record at a time: 4. Air - Music for Museum

This is an odd record. Back in 2014 I was idly flicking through the Vinyl Factory website and came across, what I assumed to be, the new album by AIR. I realised this was a limited pressing of 1000 copies, but supposed it was being made available alongside the wider release (much like Massive Attack did with "Heligoland"). As it transpired, this is the soundtrack to an open museum project and the clear vinyl pressing is the ONLY version of this album to be made available. Unsurprisingly it has become a collectors item. 

However, for some reason I have never played this record. I always meant to digitise it, but never got round to it. So this is the first time I have heard this music despite owning it for seven years. 

As soon as you pick this record up you can tell it is a high quality pressing. There are sumptuous picture inner sleeves and inside the gate-fold there is a poster. The first side has 2 tracks "Land Me" and "Reverse Bubble" which roll along pleasingly enough as I type this. "The Dream of Yi" develops a drone that began to drive me insane and for the first time in these reviews, I had to skip a bit of the music. "Angel Palace" is calming but is overly long as a piece to sit and listen to. 

That is the trouble here: this music is being taken out of context. As background music for a museum, I can see it working very well. As a listening experience it isn't very engaging. Things get a bit more lively with "Art Tattoo" but it is nothing more than 15 minutes of an arpeggiator running the same patch. "Kiss Volcano" is a short burst of noise that left me a bit bemused. "Integration Desintegration" is more of a return to ambient soundscape concept but with a horn playing a melody. "Octogum" is a more overtly 'electronic' sounding piece that reminded me of Jean Michel Jarre with its phased strings. "North Cloud" rounds things off. 

In summary, I'd say this record would make great background music for a museum, but as an isolated listening experience, it isn't to my taste. I don't feel like I have missed out in not playing this record. In fact, if someone came along and offered me £200, I would probably let it go. 1/5