Cheapo Hi-FI: mission accomplished?

A few months ago I set myself a challenge of building a separates Hi-Fi on a budget. I think I spent about £150 in total and ended up with an OK little set up. However, whilst some components were bought for very little money, the turntable swallowed up three quarters of the budget. In the midst of the current vinyl resurgence, a bargain turntable is a very hard thing to come by. However, a few weeks ago I happened across one such bargain.

 
A new charity shop (or 'thirft store' as our American cousins say) opened not far away and I went for a look. Hiding amongst the toasters and old Sky TV boxes was a very dusty mini turntable. It had no stylus and looked a bit unloved. There were still signs of life as when I plugged it in and moved the tone arm, the platter span. The price? £5. I put it back on the shelf just as my wife walked past and said, "That's worth the gamble for £5". So the turntable came with me.

On closer inspection is turns out I had bought a Sony PS-J20 mini turntable. Miraculously the lid was scratch and crack free and the unit cleaned up quite nicely. As I expected, the platter was spinning WAY off correct speeds. But with an RPM calculator app on my phone and a few tweaks on the (rather temperamental) potentiometers, it was soon running at 33.3 and 45 rpm quite nicely.

The instructions I downloaded suggested this little beast was circa 2000 and was missing a few accessories such as a mat for the platter and an EP adapter. Once I located the correct stylus and ordered the accessories, the turntable was beginning to look pretty good. All of the automation of the tone arm and buttons worked as expected. All good so far.

Before I committed any of my precious vinyl to this turntable I looked at the tracking force to check the stylus wasn't going to try to gouge its way through the record. Happily the scales said 2.5g. Rather respectable I thought.

How does it sound? Well it's OK. It's not the greatest, but it does a job. There's a lot of distortion on "S"sounds on some records and the tone is quite thin (compared to the admittedly bass heavy SL-1200). But the automation is handy when you just want to leave a record spinning in the background and its compact size means it fits anywhere.

Yes, I spent more in restoring it than the purchase cost, but it was worth it. With a bit of effort and good luck you can have a reasonable standard turntable for £20. Despite its shortcomings this has to be better than any ION or Crossley type disaster on sale today.

Cheapo HiFi update

Having failed to acquire a turntable at a reasonable price on eBay, I resolved to blow the remainder of my budget on a brand new one. About 10 years ago I owned a SoundLab SL1200 copy that wasn't too bad, so rather than trust my precious wax to something that might damage them, I decided to buy the same turntable gain.

However, the G056C has been through several iterations over the years and the current version is the G056F.

The first difference I noticed between the G056C and the newer F was a separate power switch rather than it being incorporated in the target light (as it is with a real 1200). Other downgrades seem to include a terrible platter (with totally useless strobe marks), a crappy slip mat, downgraded cartridge and generally poor build quality. The only discernible upgrade in the move from the C to the F designation is the addition of a line output (presumably there is now a pre-amp in there).

The chief commonality between the old C and the new F is that they run slightly too slow at 33 1/3 rpm and far too fast at 45 rpm. A series of tweaks of the potentiometers on the underside now means it turns at the right speed; but why they can't set this correctly at the factory baffles me.

Instant upgrades involved swapping the cartridge and stylus for the one that came with my old G056C (I threw out the faulty turntable but kept the headshell/cartridge purely on a whim) and bought a better slip mat. I have the tracking weight at a smidge over 3g so it's not going to do too much damage. Following these changes the reproduction is reasonable for a machine that only costs £90. Yet I remain disappointed by the G056F. Never has the old adage of "You get what you pay for" rung more clearly in my ears.

But bear in mind this turntable is within easy reach of 2 children under the age of 5 and I am quite sure it will be abused at some stage. A few years of using SL-1200s have raised my expectations of turntables, so this retrograde step was always going to disappoint; but it's better than finding my children have ruined a nice SL-1200.

Incidentally I have looked at the prices of  new, old stock G056C machines on the Internet and they seem to be priced between £110 and £160. The C is definitely better than the F, but if I was spending £160 I would just continue to save up and get a SL1200 from eBay. A reasonable condition SL-1200 may be twice the price, but they are a hundred times better than the Soundlab in every single department.

I have also changed out the amp in the cheapo HiFi set up. I managed to obtain a Sony TA-FE370 for £21. Not only is this amp not damaged but it is contemporary with (and therefore matches the design of) my CDP-XE 370 CD player. The amp has a remote control that also works on the CD player - so the battered TA-F161 that started this whole thing is currently sitting idle.

Over the last couple of weeks I have also acquired a cassette deck for the princely sum of £20. However, the Sony TC-KE200 has proven so useful that it remains in my office set up and I will have to get another unit to go downstairs. If I can get another KE200 for around £20, my total spend will be £140 for a budget separates system. Not bad, not bad at all.