One record at a time: 257. Massive Attack - Heligoland

Having enjoyed Massive Attack's first two albums, I bought the single "Risingson" as soon as it was released in 1997. However, I found this song so disappointing that I didn't even investigate parent album "Mezzanine" when it was released the following year. Like everyone I heard "Angel" incessantly on movie trailers and TV shows, but it wasn't enough to pique my interest and I left Massive Attack behind for a time. 

My interest in the band was rekindled in 2010 and when The Vinyl Factory announced a special edition of new album "Heligoland", it looked so good I decided to order it. As I mentioned in the post for Hot Chip's "One Life Stand", The Vinyl Factory used to make really sumptuous collectors editions by bands you had actually heard of, but sadly this is no longer the case.

This really is a lavish package with glittery artwork and heavy paper stock. There are three 180g vinyl discs and a CD housed in a three panel gatefold sleeve; it's all very impressive - right up until you play it. That's not to say the vinyl is a bad pressing; far from it. It's the music that is lacklustre here. 

Opening track "Pray for Rain" features some distinctive rolling toms and the voice of Babatunde Adebimpe in what is a departure from the traditional Massive Attack sound. There aren't really any samples being employed and there is a greater emphasis on acoustic instruments than on previous efforts. The second track "Babel" features bass and drums that sound like a 'band in a room' recording - which is really disappointing to hear from an artist that had previously pushed the boundaries of electronic music. "Splitting the Atom" and "Girl I love You" see Horace Andy providing his distinctive vocals over flat and disappointing backing tracks that make you wonder if this is the same band that created "Unfinished Sympathy". The panned guitar samples of "Psyche" provide something a little more sonically interesting but it's not enough to rescue the track.

The second slab of vinyl opens with the terrible "Flat of the Blade" which is a perfect demonstration of the tuneless drivel that can be generated when a collection of illustrious musicians begin to mess about in the studio and nobody from the record company dare tell them what they are producing is crap. One of the best songs on here is the sublime "Paradise Circus" which features the vocals of Hope Sandoval. There's a messy guitar based track in the form of "Rush Minute" and as I dislike Damon Albarn's voice, I can't wait for "Sunday Come Slow" to end. The final album track "Atlas Air" has a nice groove but I still can't help but wonder how much better it would have been if it harnessed the traditional sound of the band.

The third disc features the Gui Boratto remix of "Paradise Circus" which adds a nice electronic feel and there is a disappointing remix of a track called "Fatalism" (a track I wasn't aware of prior to owning the record). "United Snakes" is a former b-side that doesn't do a lot but at least features some nice electronic synth sounds. The best part of the whole package is left to last with the fantastic She is Danger remix of "Girl I Love You". This mix provides structure and cohesion to the slightly disjointed original and adds a brilliant rumbling bassline. 2/5

One record at a time: 256. Massive Attack - Protection

When Massive Attack released their second album in 1994 I didn't think twice about buying the CD. I bought this 2016 re-pressing of the LP about three years ago when it was being sold off at a reduced price. Retailers don't seem to have sales where you can pick up vinyl cheaply any more - in fact everything has shifted dramatically in the other direction with £30 and £40 being asked for the most basic re-pressings today.

The opening track "Protection" somehow manages to be laid back and dreamy and yet comfortably accommodate a TB-303 and one of the deepest kick drums you're ever likely to hear. Tracey Thorn's airy vocal floats along as the music builds and releases for nearly eight minutes. Another single "Karmacoma" comes next with its infectious beat and distinctive samples. I can't pretend I understand all of the lyrics Tricky and 3-D are saying and the significance of "Jamaica and Roma" is completely lost on me. I have seem various attempts to read meaning into this song but personally I suspect it is about nothing more cerebral that smoking drugs. But who is to say? 

One of my favourite songs is "Three" which has an amazing vocal by Nicolette - there's also a great remix of this track by Dom T on the second CD single of "Protection" that I used to play a lot. "Weather Storm" is an instrumental where pianist Craig Armstrong plays over a 2 bar loop for five minutes - which is strangely more engaging than this description would suggest. Side one rounds out with "Spy Glass" which sees the return of Horace Andy on vocals whilst the band create an electronic dub sound that is reminiscent of Leftfield. 

Back in the day I would turn the volume up high for "Better Things" so that the sub bass would have the cones on my speakers popping back and forth. I did this purely to impress my friends and few of them even went out and bought the album on the back of hearing this prodigious demonstration. "Eurochild" has 3-D and Tricky delivering their distinctive rap over a collage of samples but it doesn't work as well as similar tracks here. When I bought this album I was familiar with "Sly" as this was the lead single but looking back at the wealth of material on here, I wouldn't have picked this as a lead single. "Heat Miser" is another Craig Armstrong piano improvisation but set against an electronica backdrop this time. Things round out with a fun live version of "Relight My Fire" with Horace Andy and Daddy G providing the vocals. 3/5

One record at a time: 255. Massive Attack - Blue Lines

I have a memory of watching a late night comedy show (the internet tells me it was called Paramount City) sometime in the early nineties (the internet tells me it was 8th June 1991) and seeing Massive Attack playing "Safe From Harm" (the internet is not so certain on this one). This performance convinced me to buy the parent album "Blue Lines" on CD the following week and more lately, this unremarkable reissue of the LP in 2016.

The rumbling bass guitar sample that opens "Safe From Harm" should be annoying as, not only does it loop continuously throughout the song, but it is lifted wholesale from another track. Yet, there's so much layered over the top of this sample that you can't help but admire the ingenuity at play. Shara Nelson's vocal is exquisite and the synth chords provide a perfect accompaniment. There are many clever touches such as sampling 3-D's vocal and repeatedly triggering it to ensure the delivery is anything but mundane.

"One Love" is a change of pace in which Horace Andy delivers an inimitable vocal over sampled loops. The key here is that the melody is allowed to shine through and lift the track to a whole new level. We hear Tricky for the first time on the title track as the whole group get to rap over a breakbeat and some mellow electric piano. There's cover of an old school soul song, "Be Thankful For What You've Got" which I can only assume is a song the band admired as there's not much else to distinguish it. Side one finishes with the dub of "Five Man Army" in which the band rap over an Al Green loop and Horace Andy's ad libs.

The highlight of the album is undoubtedly "Unfinished Sympathy" which is rightly revered as a classic. This is a perfect recording that I'm not sure how anyone could criticise. Even if the rest of the album was made up of fart noises this song would still make it worthy of purchase. "Daydreaming" is built around a sample of a Wally Badarou track (which provides a nice link back to Level 42) and has another fantastic Shara Nelson vocal. Thanks to the samples that form the backbone of "Lately" it has an almost synth-pop vibe and makes for a nice change. The epic final track is "Hymn of the Big Wheel" which sees Horace Andy return to sing a tale of the earth's destruction as a whale impeaches us from the deep. 4/5

My CD is cheaper than your mp3

In previous posts I have reasoned that buying CD’s should be dispensed with and that buying music digitally really is the best way forward. And yet I find myself continually buying CDs at a steady rate. So why? Well here is one reason why:

Today I realised a big hole had appeared in my music collection. I’m not 100% sure if I ever bought Massive Attacks “Mezzanine” or if I have lost it; either way, I don’t seem to own it at present. To remedy the situation I went straight to my chosen retailer (always amazon.co.uk as I’m lazy) and searched for the album. Just before I clicked on buy mp3 for a reasonable £2.49 I saw the price of a second hand CD.

A small light bulb lit above my head and I clicked on "used". Why would I buy a collection of mp3's when the cheaper option is to buy a CD for 1p? That's right 1p. 

I have bought a few books on amazon for this price before, but never CDs. Most people are just trying to have a clear out and figure they will make some money on postage I think, but you really do get the item for 1p. Yes, the postage is £1.20 or something, but it still works out cheaper to buy a CD than buy a digital copy. 

So all of my rhetoric about buying music in digital form has been undermined and my CD collection keeps expanding not shrinking. I will have to live with the headache of where to store all of these CDs; but with a few more pounds in my pocket.