Remixes - too much of anything is never enough

I’ve always defended the use of remixes. Yes, they have been used to cynically exploit the record buying public at times, but they have also given much joy. I love remixes that either improve on or drastically alter the way you perceive a track. I have a playlist on my computer entitled “The Best Remixes Ever”. Here are some of the gems it includes:

Front 242 – Rhythm of Time [Victor the Cleaner] remixed by The Orb [the only decent remix The Orb ever did] I forgot about the Depeche Mode "Happiest Girl" remixes when I posted this

Nine Inch Nails – Only [Richard X Mix]

Depeche Mode – Enjoy the Silence [Ewan Person Extended Remix]

Mansun – I can Only Disappoint You [Perfecto Club Mix]

Baxendale – I Built this City [Michael Mayer Mix]

Björk – Hunter [Skothus Mix] remixed by Gus Gus (I used to think the single version of “All Is Full Of Love” was a great remix until I found out it is the original version and that the album version is a remix)

I could add loads of other great remixes and I’m sure most fans of dance or electronic music have their own. But when do remixes get out of control? How many mixes are enough?

In the 1980’s record labels began releasing multiple formats of the same single which all counted towards its chart position (only sales of physical product counted then). Picture discs were a particular favourite tool with free posters also common. As dance mixes became more popular these various formats began to fill with different remixes and in turn spawned more formats. Historically most people have cited Trevor Horns plethora of “Relax” 12” singles as a turning point in the life of the remix. By the 1990’s singles such as Depeche Mode’s “Enjoy the Silence” were being released on no less than 7 different formats. Luckily the digital age arrived and saved fans the maddening task of identifying and procuring every release and remix. Or did it?

The Pet Shop Boys single ‘Vocal’ was released back in June. There were 9 versions of the song released on the CD with a couple more available as exclusives on services such as Beatport. However since its release it has become apparent that there were many more remixes commissioned but not used. These mixes seem to have been released back to the artists who are making them available online, presumably with Neil and Chris’s consent.

The trouble comes in the sheer volume of these ‘official mixes’. Personally I lost count somewhere around the 40^th different mix. Many of them are average, but strangely none of them are terrible. A few are superb. The ‘Drop Jackson mix’ seems to be universally praised amongst fans with the ‘Armageddon Turk Occupy Mix’ and ‘Leonidas & Hobbes Vocal mix’ also personal favourites. So why weren’t these mixes released? Well they have been. ‘Officially leaked’ seems to be the order of the day. If you want to spend hours on dodgy websites duelling with Trojans and spyware looking for that one last dub/edit/instrumental you are missing, then you can. Alternatively you can be happy with your digital download from iTunes and leave the searching to idiots like me. It seems you can never have too many remixes.

The death of the physical single

Things change. Music has moved on. The days when an artists released their singles as physical discs are almost at an end. And it upsets me greatly.

I have collected records by the Pet Shop Boys for 25 years and their singles have always been important epochs for me. Every release evokes a memory or is associated with a person, a place or a point in time. I still recall the thrill of going into a record store the week after a single was released to buy the Remix 12" ('It's Alright' and 'So Hard' stick out for some reason). Import singles were like some magical exotica with different covers and remixes that always cost far too much. I still marvel at the cover of the 'DJ Culture' 12" and the double sleeve edition of 'Suburbia' is a work of art that I treasure. In short, it isn't just about the music these discs contain; it is also the experience of owning and buying them.

The fact that Neil and Chris had to persuade EMI to release a physical disc of 'Winner' is a stark contrast to the myriad of single formats that were being released  in the late 80's. We are losing an art form and the soulless click of a mouse on iTunes or amazon doesn't feel anything like walking in to Our Price and seeing a display stand bursting with shiny new 12" singles.

Yes, vinyl and CD singles are not totally dead, but they are on the endangered species list. I for one, will miss them more than I ever thought I would.

CD's - what are they good for?

About 5 years ago I threw away a wheelie bin full of CD’s. I had listened to them once and had no intention of listening to any of them again (you know “Eskimos and Egypt” “Spacehog” - shit like that). I needed to slim down my collection as I had moved house and didn’t have as much storage. It turned out to be a painless process and I have never thought “Oohhh where is that ‘Phil Collins Hits’ CD?” only to find it has been binned. I don’t regret anything – so why do I find it so hard to swap to digital music and let go of the rest my CD’s?

I keep a back up drive of my MP3’s as I’m worried that should my hard drive die, I will loose all of my music. Yet, I know I always have the back up of the CD’s. But each of the boxes in my spare room contains around 50 CD’s. There are 27 boxes - so that’s about 1350 CD’s (I have sold/thrown away/given away about as many in recent years too). That’s a lot of weight and storage space for a ‘back up for a back up’. It’s ridiculous.

Increasingly I am realising that the CD’s might be a 'back up' for a lot of my music, but there is an increasing amount  which I only own in digital download format. Sometimes this is because I have no choice and the music is only available as a download, sometimes it is out of choice, but I am becoming increasingly comfortable with the idea that music doesn’t have to come on a black or silver disc. I never play my CD’s or vinyl anymore and only use them as a source to rip. I play music from my phone via Bluetooth in my car and home; I use last.fm on my Xbox and play MP3’s constantly from my PC. Thus, it is totally illogical that I continue to buy music in physical formats.

I am trying hard to give up physical releases and weaning myself off by only buying digital downloads of artists who are new to me (such as Chairlift’s “Something” this week) and sticking to physical releases for artists I love and consider myself a collector of (Pet Shop Boys, Nine Inch Nails etc etc). I hope I can stay on the path to CD sobriety; my spare room is small enough as it is and I really don’t want to have to throw away that Sven Vath CD – oh no, hold on a minute……..