Jarre is back?

Back in 2011 I lamented on an inexorable decline in the quality of Jean-Michel Jarre's music. The album "Electronica I" was a step in the right direction, but didn't really do much to dissuade me of this belief. The second instalment of "Electronica" continued this slight upturn with my dream collaboration of Jarre and Pet Shop Boys finally becoming a reality in the brilliant track "Brick England".

I found the subsequent appearance of "Oxygene 3" surprising but the content was unremarkable. It was something if a 'vanilla' album to my ears. Inoffensive, but without a great deal new to say. Whilst we can all be thankful it wasn't another "Teo and Tea", "Oxygene 3" didn't exactly return Jarre to the peaks of his halcyon days either.

And now we have the corresponding 'vanilla' instalment of my favourite Jarre album "Equinoxe". "Equinoxe Infinity" is clearly a new work that pays very little (if any) reference to the original 1978 album other than in name (and some rain effects). In fact, I can hear more sonic references to "Oxygene" and "Magnetic Fields" in there than anything else. However, the reuse of the "Equinoxe" title does give Jarre and the record label a chance to sell us recordings we already own.

Jarre's studio albums make for a mixed bag. Happily we seem to be recovering from the lows of 10 years ago.

The opening movement "The Watchers" is quite superb with sweeping Yamaha CS80 horns and brooding storm effects reminicent of the "Bladerunner" soundtrack. "Flying Totems" follows and introduces more rhythmical elements whilst "Robots Don't Cry" resurrects the "Oxygene" Minipops to good effect. The previously released "Coachella Opening" is now rebadged and presented as the eighth movement and "Don't Look Back" brings us as close to the source material as we're going to get. The only place the album fails is the cheese of "Infinity" and the less than convincing "If the Wind Could Speak". Overall it's a solid 6 to 7 out of 10.

My ripping victory

I have been downloading and ripping MP3's since about 1998; so I've accumulated quite a few. Looking through my library recently I decided it was time for a clear out and an upgrade. Any file that was below 256 Kbps was deemed unsuitable and a replacement sought. The majority of the time this simply meant re-ripping CDs at 320 Kbps, but I soon found some CDs wouldn't rip. No matter how many times I cleaned the disc, cleaned the laser and screamed at the screen, some CDs just weren't playing ball. In a vain attempt to overcome the situation I even bought another copy of one particularly frustrating disc, a-ha's "Minor Earth Major Sky", but the new copy was even worse than the original.

Nope, it wasn't copy protection, it wasn't scratches, it wasn't bronzing. At first I found this quite mysterious as I had ripped all of these CDs previously. But it soon occurred to me that this was some years ago using different PCs and different operating systems. The majority of my MP3s were created on a desktop machine with an internal optical drive running Windows XP. Windows 10 on a modern laptop just couldn't get the job done.

My old 'copy protection workaround' of using an optical output from a traditional CD player was so laborious that it was impractical for the number of CDs I was looking at. Google searches weren't really turning up any useful information and I became increasingly frustrated. I gave up.

Fast forward about 3 years and I found a solitary forum post that seemed to describe the exact issue I was having. The poster had identified the one thing all of these discs had in common. Three dirty letters: WEA. It seems discs manufactured by WEA are different, and not in a good way. Most solutions for difficult to rip CDs centre around using old optical drives. It seems more recent hardware just can't cope with some discs, and for my laptop, as with many others, this meant WEA discs.

Today, most people seem to have abandoned optical drives and CDs (one colleague recently said: "Who buys CDs in this day and age?"). Not being 'most people' means there are bargains for the rest of us. I was able to find an old Sony USB optical drive on eBay for just a few pounds.

As soon as the new drive arrived I plugged it in, threw in a copy of Madonna's "Music" and watched it spit the disc out like it was poison. Next I tried David Gray's "White Ladder" and Windows Media Player crashed as soon as the drive span up. When I tried my nemesis "Minor Earth Major Sky" the drive disappeared from explorer and Windows crashed without so much as spinning up the disc.

In order to eliminate the laptop as the source of the issue I plugged the drive into my work laptop. As the disc began to spin I noticed the laptop was not only reading the disc, it was actually playing the audio! With lightning speed I hit "Rip CD" and crossed everything. Immediately Windows put up the shutters. My work machine is obviously configured not to allow ripping. Foiled again.

Recently I was working on my laptop whilst simultaneously trying to keep one of my children entertained. In desperation I picked up an old netbook I had lying around the office and gave it to her. It took a minute or to for the light bulb moment to happen but when it did, it triggered intense negotiations to retrieve the netbook and convince a two year old that Peppa Pig wasn't as important as ripping CDs.

In hope rather than expectation I plugged in the optical drive and fired up Media Player. With trembling hands I placed HARD-Fi's "Starts of CCTV" into the drawer and pushed it closed. Yes,it read the disc and started to play it; but I'd been this close before. However, when I clicked "Rip CD" this time... it did. Not only did it rip this CD but it also devoured David Gray, breezed through Madonna, didn't even pause on ripping New Order and Prince was a push over. This just left 'the big one', the most difficult to rip of them all: "Minor Earth Major Sky". At first the CD span but didn't play and then the first track ripped but it then returned an error and the drive dropped off the list of available devices. Damn you Morten Harkett.

Yes, repeating the same thing over and over again expecting a different result is insanity; but I decided to restart, plug the drive back in and try again. I was not going to be beaten by an eighteen year old CD. And I'm pleased to say that I wasn't beaten, second time around the CD ripped without so much as a murmur of protest.

So, I have finally ripped all of the discs that were giving me trouble and am now about half way through ripping my CD collection. So if you will excuse me I'm about to pull box number 12 off the shelf and get stuck in.

Oh, and if you know of anyone who would like to buy a copy of aha's "Minor Earth Major Sky" do let me know.

Cheapo HiFi update

Having failed to acquire a turntable at a reasonable price on eBay, I resolved to blow the remainder of my budget on a brand new one. About 10 years ago I owned a SoundLab SL1200 copy that wasn't too bad, so rather than trust my precious wax to something that might damage them, I decided to buy the same turntable gain.

However, the G056C has been through several iterations over the years and the current version is the G056F.

The first difference I noticed between the G056C and the newer F was a separate power switch rather than it being incorporated in the target light (as it is with a real 1200). Other downgrades seem to include a terrible platter (with totally useless strobe marks), a crappy slip mat, downgraded cartridge and generally poor build quality. The only discernible upgrade in the move from the C to the F designation is the addition of a line output (presumably there is now a pre-amp in there).

The chief commonality between the old C and the new F is that they run slightly too slow at 33 1/3 rpm and far too fast at 45 rpm. A series of tweaks of the potentiometers on the underside now means it turns at the right speed; but why they can't set this correctly at the factory baffles me.

Instant upgrades involved swapping the cartridge and stylus for the one that came with my old G056C (I threw out the faulty turntable but kept the headshell/cartridge purely on a whim) and bought a better slip mat. I have the tracking weight at a smidge over 3g so it's not going to do too much damage. Following these changes the reproduction is reasonable for a machine that only costs £90. Yet I remain disappointed by the G056F. Never has the old adage of "You get what you pay for" rung more clearly in my ears.

But bear in mind this turntable is within easy reach of 2 children under the age of 5 and I am quite sure it will be abused at some stage. A few years of using SL-1200s have raised my expectations of turntables, so this retrograde step was always going to disappoint; but it's better than finding my children have ruined a nice SL-1200.

Incidentally I have looked at the prices of  new, old stock G056C machines on the Internet and they seem to be priced between £110 and £160. The C is definitely better than the F, but if I was spending £160 I would just continue to save up and get a SL1200 from eBay. A reasonable condition SL-1200 may be twice the price, but they are a hundred times better than the Soundlab in every single department.

I have also changed out the amp in the cheapo HiFi set up. I managed to obtain a Sony TA-FE370 for £21. Not only is this amp not damaged but it is contemporary with (and therefore matches the design of) my CDP-XE 370 CD player. The amp has a remote control that also works on the CD player - so the battered TA-F161 that started this whole thing is currently sitting idle.

Over the last couple of weeks I have also acquired a cassette deck for the princely sum of £20. However, the Sony TC-KE200 has proven so useful that it remains in my office set up and I will have to get another unit to go downstairs. If I can get another KE200 for around £20, my total spend will be £140 for a budget separates system. Not bad, not bad at all.

Cheapo Hi-Fi challenge: week 3

This week hasn't seen much activity for the Hi-Fi challenge. A new acquisition is winging its way to me, but it hasn't yet arrived. Unfortunately this new item is being delivered via Royal Fail (sorry Mail), so even if it does manage to get here, it will probably be in pieces.

One change I have made this week is to the RCA cables being used to cobble the separates together. When I first set the system up I used whatever I could find in the loft. However, the cables I used weren't of the best quality and some even had bent plugs. Therefore I resolved to purchase something better.

I decided that the budget could stretch to some Primewire HQ Platinum cables. At £5 they fit the bill perfectly; they are both 'budget' and of good quality. These cables are undoubtedly a step up from the rubbish I had been using and have impressed me so much that I have bought more for my system upstairs. I also have some in reserve for when new separates arrive.

Cheapo HiFi Part 3: CD player overload

The third week of the "Cheapo HiFi Challenge" sees me hoarding CD players. I was always going to need another CD player as my computer is not kept in the same room in which I am setting up my new separates system. So, during the week I placed a few bids on devices that took my fancy and let eBay do the rest. Next thing I know I am the proud owner of a Technics SL-PG390 and a Sony CDP-491.

Technics have arrived

Now the Technics machine remains in the 'cheapo' bracket having cost me just £15. It has an optical output so is ideal to live in the upstairs set up with my computer. It works well enough and isn't in bad shape cosmetically.

At this point I must confess a predilection for retro Technics gear. I spent a large part of my school days in 1985 (and '86 and '87) leafing through Technics catalogues thinking: 'if only'. Whilst this particular machine is from much later than 1985, it still has that magical Technics badge that the 12 year me can't resist. Of course I am now toying with the idea of building a Technics system to compliment my SL-1200 MKII and new CD player. We shall see how that plan develops.

Anyway, back to the old Sony stack. I had decided to break the bank on a CD player with a remote control. Messing about with the remote-less CDP-XE370 was becoming a bit of a chore and when the CDP-491 (complete with instructions and remote control) came along, my head was turned. The 491 is a much older machine (circa 1990) than the CDP-XE370 (circa 2001) but it is higher spec (it must be, it has more buttons for heaven's sake). It seems a remote and instructions raises the price on eBay quite considerably and I ended up paying almost £40 for this one.

The new CD with remote

However, the majority of the extra functionality contained within the CDP-491 does not have much to offer in the modern era. This is because there are a large number of functions dedicated to recording CD to tape. Like the Technics machine, the new Sony has a 'Peak Search' function to scan the CD for the highest peaks on the disc to allow the user to set the levels on their cassette recorder. This machine can also fade tracks in and out and build a programme to fit a specified time. I would have killed for these options back in 1990 (particularly the fade options) but in 2018 they are pretty much redundant. For now that is...mix tape anyone?

Cheapo Hi-Fi Part 2

So, part 2 of my cheapo HI-Fi challenge sees me actually generating sound. Having overhauled my old Jamo speakers I decided the first step to my new separates system had to be the amplifier. My approach was to leave a series of relatively low bids against amps on eBay and see if any were successful. As the days went by the 'outbid' notifications multiplied and my chances of landing an amp in the first week began to look remote.

Happily however, nobody seemed to interested in a bashed up Sony amp beyond £25 (can't think why). Two days after the auction ended I received the unit and fired it up for the first time. I took my £10 Sony CD player, hooked them all up and to my surprise, everything worked.

Now the TA-F161 isn't going to win any awards and was decidedly budget even when it was new (circa 1995). The sound is indistinct and no matter how you coax the eq it sounds a bit woolly. But it was £25. On the plus side it has a phono stage (as yet untested) and actually produces sound (something of a novelty on eBay where half the listings seem to be 'for spares only'). Or rather it did work.

Something about the base of the amplifier didn't quite look right in the stack (note the front left foot isn't visible on the picture). This isn't because of the angle of the photograph, it's because the foot is pushed up into the body of the amp. At some stage this unit has received a massive bash to the base that rendered it useless. It seems it has then been 'recycled' (i.e. repaired badly) by a company and sold on. I say badly repaired because there has been no attempt to pull out the dents to the base of the amplifier.

As I manipulated the foot in an attempt to pull out the dent, the unit powered down and could not be resurrected. Now one good aspect to the previous botched repair was that half of the screws holding the amp together were missing. Thus opening it up was achieved quite quickly. Once inside it became obvious that the previous 'trauma' to this unit resulted in the PSU being damaged. As I was pulling the dents out of the case I was moving the PSU and disconnecting it from the circuit board. With the connection re-established we had power and sound once again. This amp will just have to stay bashed and a bit wobbly on it's feet.

So for £35 we have a CD player, amplifier and speakers. However, with only £65 budget remaining and turntables currently fetching top prices, the bigger challenges look set to come.

Watch your bass bins I'm tellin' ya

Recently I wanted to wanted to rip some CDs that had pesky copy protection. In the past I achieved this by taking a digital optical signal from a CD player into my PC; easy. However, 2018 found me bereft of any kind of CD player, a situation that I found surprising and a little alarming. I began to reminisce about all of the CD players I have known over the years and felt a desire to own another. Thus, I set out to find a cheap but reliable CD player with a optical output.

I managed to buy a fairly run of the mill Sony CDP-XE370 (missing the remote control) on eBay for the princely sum of £10. It arrived after 2 days and works fine - in fact, it's quite a nice sounding machine. The internet suggests this model harks back to 2001 and is capable of playing MP3 data - a good find it would seem.

Inspired by this success, I have resolved to build a Hi-Fi separates system for another part of the house solely from eBay. I have a tiny budget (I have challenged myself to not go into 3 figures) but absolutely no time limit.

Barn fresh and bashed up

To start to my 'cheapo separates challenge' I have cheated a little. I remembered that there was a pair of Jamo speakers in the loft that would get the ball rolling. Whilst a pair of vintage D115 cabinets aren't exactly the top of the food chain when it comes to speakers, they would suffice for my needs. However, when I pulled the speakers down into the light of day it appeared that 3 of the 6 cones had become bashed in over the years. Vintage Hi-Fi was obviously going to come with some maintenance obligations.

I have a distant memory of squashing the cones on my father's Acoustic Research speakers sometime in the late 70's. Surprisingly I don't remember getting a whack around the head or him being particularly angry. I do however remember him pushing a pin into the tweeters in an attempt to pull out the dent. This strategy did pull out the dent, but it also left an ugly hole in a very expensive and beautiful speaker. Thus, when I found these speakers I went straight to Google for solutions and not the sewing kit.

The first suggested remedy was to place a cardboard tube (say the inside of a kitchen or toilet roll) over the dent and suck the dent out. Needless to say, I didn't try this. Second option was to stick adhesive tape to the cone and pull the dent out. This method involves rubbing a pencil over the tape to ensure it has sufficient adhesion to the cone and then pull the dent out. With no pencil to hand I grabbed one of the many crayons lying around the office (the children play in there you understand, I am allowed to handle sharp objects) and got to work. Much to my surprise the first pull resulted in a 50% improvement and with a little careful application I was able to pull the whole of the first dent out. The much thinner, paper cone of the mid speaker did suffer some surface damage from the tape, but the dent was also fully removed. The second speaker responded well to treatment and after about 20 minutes work all of the dents were pulled out.

Repaired and ready: the first part of the cheapo separates challenge

Now 20 years in the loft haven't done much for the looks of these speakers and some cleaning and minor repairs were required. I managed to find a permanent black marker in the same shade of black as the cabinets and touched up all of the blemishes that exposed the underlying fibreboard. I then pulled the plastic exhausts and had a good clean inside. All of the wiring and solders seemed good and once the dust covers were back on, these old Danish warriors (these are vintage speakers predating the switch to production in China) were beginning to look serviceable.

The only test that remains is to actually play something through them. I will be interested to see how they sound - not having listened to them for 20 years (I am making an assumption that they will work as there isn't much to go wrong with them).

Front by front

Front Line Assembly had initially come to my attention in 1993 through a compilation called "Hot Wired Montertrux". I was already a fan of similar "Industrial" bands so it was no wonder that the sound of "Provision" (presented in it's '12" Version') caught my ear. I managed to locate a copy of "Caustic Grip" in my local Virgin Megastore and enjoyed it. However, following this first flush of success, I never saw a FLA release on the shelves again. As a consequence, my initial interest withered on the vine: back in the day it was very hard to follow a band if you couldn't physically buy their records.

A few years passed until one day I happened upon a copy of "Artificial Soldier" in a record store. Suddenly my interest in Canada's second best band was rekindled. I then acquired the majority of the FLA back catalogue as mp3 files (we will gloss over how I acquired these recordings) and albums such as "Implode" and "Epitaph" really caught my ear. I soon found I had developed a desire to correctly tag and complete my new FLA mp3 collection (it still boggles my mind how lazy some people are in tagging their mp3s). In the past I have commented on how difficult it has been to walk the minefield of Gary Numan's back catalogue and that without a literary guide I would have floundered. Well, the same can be said of the monster that is the FLA recording history. Without the excellent www.mindphaser.com I would have been in a real mess. The information contained in Mindphaser allowed me to identify which files I was missing and catalogue them correctly

However, as time has worn on I have become dissatisfied with fantastic albums such as "Rewind" being represented by 128 kbps mp3 files in my music collection. I wanted to listen to CDs of these albums and to rip 320 kbps files. In buying CDs I would be able to listen to better quality rips but also be sure I was tagging the correct versions of songs.

Having resolved to amass the FLA back catalogue on CD, it dawned on me that I had created quite a challenge. As I suggested earlier, getting my hands on FLA releases has always been difficult and the majority of their CDs aren't being pressed any more. Thus, I had to begin by scouring eBay and managed to score some bargains. Encouraged by this early success I searched Discogs and acquired a number of singles and a few of the more elusive discs; but at a price. I've even had a few second hand bargains from Amazon. At present I only have a handful of albums left to find, but as the number of easy wins mount, scarce early albums such as "State of Mind" and "The Initial Command" seem to become evermore elusive.

It's been fun trying to score these FLA CDs and completing the collection on a shoestring budget is definitely an achievable goal. As an avid Pet Shop Boys collector I have reached a certain point many people must hit where I have 'most' things and only rarities that belong in the 'serious money' bracket elude me. I've never paid a four figure sum for a record and don't intend on starting now. Thus collecting FLA CDs fulfils my desire to hoard collect music and ensures my children still have food on the table.

The decade the music died

At one time I freely espoused the belief that music released in the 1970's was terrible. To me the seventies had few redeeming features and were largely devoid of any cultural advances. When people talk about music from this decade I think of Mud, Gary Glitter, T-Rex, Thin Lizzy; that sort of thing. As a consequence I considered this decade an artistic wasteland.

But even a cursory glance through my record collection will show I might not have been entirely correct in my notion. All ELO's records from the seventies are represented and I regard Jeff Lynne as a genius. Two of my favourite albums "Man Machine" by Kraftwerk and "Equinoxe" by Jean Michel Jarre were both released in 1978. So what else is in my record collection that finds its roots in the decade that style forgot?

A search for 1970 in Windows media player reveals "Time and a Word" by Yes (no recollection even listening to this), "Tone Float" by Organisation (Kraftwerk links here too) and "Let It Be" by The Beatles. Not the most auspicious of starts.

Things picked up a little in 1971 when Yes released "Fragile", Kraftwerk issued their first album and Bowie put out "Hunky Dory". 1972 saw more of the same embryonic Kraftwrk and early Yes releases that do little to inspire me. 1973 saw a slight upturn in fortunes as the seminal "Tubular Bells" by Mike Oldfield and Vangelis's "Apocalypse Des Animaux" were released. 1974 is all about "Autobahn" and '75 is just more Oldfield and the massively overrated "Radioactivity". The second half of the decade opened with Jarre's "Oxygene" and Peter Gabriel's first solo outing in consecutive years.

The turning point seems to be 1978. The mood on the playlist I created changes here. Giorgio Moroder creates "The Chase" and there is a new yard stick. Jarre and Kraftwerk deliver their afore mentioned master works and one of my favourite Oldfield albums "Incantations" is released. Peter Gabriel steps things up with his second album and Yellow Magic Orchestra release their eponymous debut. Throw in "Warm Leatherette" and a smattering of Japan and you've got an interesting musical landscape.

1979 saw Gary Numan find his feet with "The Pleasure Principle", The Human League introduce "Reproduction", Japan record "Quiet Life" and Sparks release the Moroder masterpiece that is "No 1 in Heaven". The 80's become so close you can smell them. Type anything beginning with "198" in the search box of Windows Media on my laptop and we travel down a different rabbit hole entirely.