One record at a time: 363. Pet Shop Boys - Disco 3

The first two entries in the "Disco" series were relatively straightforward remix albums, but the third is a little more complicated. 

Initially Neil and Chris considered calling this album "London/Berlin" as it was influenced by the music and club scene in both cities, but a last minute change of heart saw it dubbed "Disco 3". Yet this isn't a remix album in the strictest sense as half of the tracks are new recordings.

When compared to the CD, the commercial vinyl has two extra tracks as it features two additional dub mixes. The running order is also different on vinyl with no less than three different mixes of "London" pushed front and centre. As the promotional double LP (on the right of the picture) doesn't feature any new material, you could argue that this is a true remix album and is a much better fit for the "Disco" series.

Released in 2002, this album is something of a reaction to their previous effort "Release" which was a rather dour affair that didn't appeal to many. For me "Disco 3" felt like it was drawing a line under the guitar related nonsense and was returning them to their synth-pop roots.

Opening track "Time on my hands" was initially recorded for the album "Release" but it was set aside as it didn't fit with the soft rock theme. You'd never say this was amongst their best as there are too many echoes of "Electricity" from "Bilingual" and what melody there is, is not exactly anthemic. Yet it is better than almost everything on "Release".

"Positive Role Model" is a song from their rather disappointing musical "Closer To Heaven", and there is a cover version of "Try It (I'm In Love With A Married Man)" originally recorded by a Bobby Orlando vehicle called Oh Romeo. "If Looks Could Kill" was first heard on their first (and only) Peel session, but the version here is a little more frenetic and beat driven. The highlight of the package is the stunning "Somebody Else's Business" which is a track I adore and I can't understand why it is ignored by so many.

Of the remixes, the Blank & Jones trance version of "Home and Dry" is the pick, with the boys own revision of "Here" adding some sparkle to an otherwise mundane album cut. The Felix da Housecat remix of "London" is unedited and runs for just under three minutes longer than on CD. Whilst this is a mixed bag, it did feel like the boys were back on course after a brief trip off piste. 3/5

Pet Shop Synthesis

2021 Revision 

Pet Shop Synthesis is by far my most popular blog post and still seems to be providing people with enjoyment 13 years after I wrote it. However, a lot has changed since 2008, and whilst the majority of the text remains valid, there are a few inaccuracies and quirks of formatting that left the article looking a bit tired. Thus, I have revised the text and tried to bring it a bit more up to date. It's still not perfect, but I will endeavour to iterate and tweak it to keep improving.

Unfortunately I have had to turn off comments for this and all my other posts as this article seems to attract spam on a daily basis otherwise.

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One record at a time: 362. Pet Shop Boys - Release

Having suffered a downturn in fortunes with their previous album, Pet Shop Boys decided to try a new approach for their eighth outing in 2002. "Release" sees Neil and Chris presenting themselves as 'musicians' rather than pop stars: bright costumes and wigs were thrown out and acoustic guitars and percussionists were rolled in. 

The degree to which this new approach succeeded is a matter of taste, but the sales figures do not lie. To me this album is the Pet Shop Boys nadir both commercially and artistically, but the extent of the failure took a while to register with the band themselves.

The lead single and opening track "Home and Dry" is somewhat misleading as it isn't representative of the wider album. The dominant synth refrain that runs throughout the song is quite brilliant and Neil's evocative lyrics paint a great picture - but once this track is done everything goes down hill. 

The vaguely Beatles-eque "I Get Along" is a dull commentary on British politics of the time and doesn't really hold any relevance in 2024. The excruciating soft rock continues until we reach a track called "The Samurai in Autumn" which is a semi-instrumental electronic piece that sounds completely out of place, but is all the more welcome for that. Some of the compositions here are quite good and it's just but the execution that lets them down. However, the same cannot be said of  "The Night I Fell in Love" or "You Choose" which are abysmal creations. 

I was about to write, "I don't play this album often," but the reality is I don't play this album at all. I own the original 2002 LP on white marbled vinyl which hasn't been played once and the less valuable 2017 remastered version has only seen action on one occasion. 1/5

One record at a time: 361. Pet Shop Boys - Nighlife

Having released their seventh studio album "Nightlife" in October 1999, the Pet Shop Boys decided to promote it with a world tour. Unfortunately this tour coincided with the bankruptcy of their promoter and a dip in their record sales. As a result of these misfortunes the tour often played to half empty venues and lost money hand over fist.

I attended the concert at Sheffield Arena and was embarrassed to see whole swathes of the auditorium screened off. I was already depressed when I arrived at the venue as somebody crashed into my car on the journey there; so finding the arena was completely lacking in atmosphere put the icing on the cake. As it transpired only 3,000 of the 13,000 seats in the venue had been sold.

When I went to look for my seat I realised it was on the front row, right in front of a speaker where I could see absolutely nothing. I and the people around me grew agitated and called over one of the stewards. As you can imagine, there were plenty of seats available for us to move to, but the vibes in the auditorium were not good.

The performance itself felt half hearted and it looked like everyone (audience included) were just going through the motions. Many years later I learned that during the interval for the show a depressed Neil Tennant suggested to Chris Lowe that they pack it all in and end the group. Fortunately Chris ignored the question and everything just carried on as normal. The date was 9th December 1999 and this moment is cited as the closet the Pet Shop Boys have ever come to splitting up. 

Like Chris, I would never consider knocking it on the head, but in 1999 it wasn't as much fun being a Pet Shop Boys fan as it used to be. The care free days of listening to "Actually" on the way home from school or the excitement of dropping the needle on a new KLF remix of "So Hard" felt a million miles away. We hadn't yet reached the nadir of Neil and Chris's career, but it was clear something had changed.

This album is a disjointed affair that tries to pull on too many strings. There's the weird country styling of "You Only Tell Me You Love Me When You're Drunk", the disappointing Village People pastiche of "New York City Boy" and a desperate attempt to write for the American market resulted in the nonsense that is "Happiness is an option". 

Where the boys try to be original they fall flat with "Boy Strange", "Footsteps" and "The Only One" being the worst examples. The production on these songs is not sympathetic to the material and everything sounds less contemporary than previously. The boys must have realised something was amiss as they haven't worked with any of the album's three producers since. The only successful songs are the dance tracks "Radiophonic", "Closer to Heaven" and "For your own good" which remain closer to the natural Pet Shop Boys sound.

I remember seeing this vinyl record on the shelves of HMV a few months after the CD was released and thinking, "Why on earth have they released it on LP? That is so old fashioned". Consequently I didn't get round to buying a copy until four years later when the official website began selling off stock that had been held by their previous management team (replete with 'Promotional only' stickers). The second copy seen here is the more common remastered version from 2017. 2/5

One record at a time: 360. Pet Shop Boys - Bilingual

"Bilingual" came out in 1996 and was heavily influenced by the music the Pet Shop Boys had heard on their tour of South America the year before. Here I will be listening to one of two copies of the 2018 remastered version but I also have the original in my collection.

Back when it was released I had to force myself to like this album. The lead single "Before" was an immediate disappointment and I still don't enjoy it much. "Electricity" is hands down one of the worst tracks Neil and Chris have ever included on an album and "Metamorphosis" is a toe-curling rap that neither K-Klass nor Pet Shop Boys emerge from with much dignity. "A Red Letter Day" is a nice composition but a real mess when it comes to the production as the vocals are pushed too high in the mix and the God awful choir sound completely out of tune to my ears.

On the other hand, "It Always Comes as a Surprise" is a heartbreakingly beautiful song that is definitely the high watermark of this album. There are many elements to enjoy in this song with bossa nova beats, an epic Moog bassline and sincere lyrics that are delivered without a trace of irony. A masterpiece.

The production skills of Chris Porter are also to be found on the excellent "To Step Aside" which grooves along as Neil's considers what might happen if he were to give it all up. Johnny Marr adds a sparkle to "Up Against It" and "Saturday Night Forever" is much underrated. The success of the single "Se a vida é (That's the Way Life Is)" still surprises me, but there is no denying it has a life affirming charm and catchy melody. So there are some highlights here, but this material may not be easy listening for the casual observer. 3/5

One record at a time: 359. Pet Shop Boys - Alternative

"Alternative" is a triple album that collects together most of the b-sides and extra tracks issued on Pet Shop Boys singles between 1985 and 1995.

I bought my copy in 2005 for £11 which, for a record that seems to fetch over £200 today, seems a bit ridiculous. Yet in the halcyon days before the modern vinyl resurgence, nobody really wanted records like this and they could be bought quite cheaply. Unfortunately my copy is missing the sticker that originally sealed in the contents, but the discs themselves are immaculate. Given a choice of owning this copy or nothing, I will declare myself content.

The first five songs here seem to be a perfect illustration of the boys finding their feet as producers and songwriters. "A Man Could Get Arrested" is based on a track from the earliest days of their career and was written with Bobby Orlando. The clumsy "Disco Mix" of "That's My Impression" is their first foray into self production and "Paninaro" sees Chris triumphantly demonstrating his innate ability to write a cracking tune. By the time we hear the brilliant "Jack the Lad", "A New Life" and "Do I Have To?" it is clear Neil and Chris have entered their "imperial" phase and found it impossible to make a misstep. 

I remember reading a review of the single "So Hard" back in 1990 where the author bemoaned the fact that the b-side "It Must Be Obvious" was a wonderful song that had effectively been discarded. By including songs such as this on a compilation album it felt like Pet Shop Boys were acknowledging their legitimacy and branding them with the same guarantee of quality carried by the singles they backed. Things do drop off towards the end with "If Love Were All" and "What Keeps Mankind Alive?" dragging the score down a bit, but make no mistake this is a great record. 4/5

One record at a time: 358. Pet Shop Boys - Disco 2

*Sigh* Where do I start with "Disco 2"? You would think a remix album based upon the hugely popular album "Very" would be a winner wouldn't you? But no; "Disco 2" doesn't succeed on any level.

I knew this album was going to be a mess as soon as I bought it. Firstly, as a Pet Shop Boys fan and collector, I realised I already owned all of the music on the record (well it was a CD back then). The second issue I found was that one of the remixes was of a song not originally credited to Pet Shop Boys ("Absolutely Fabulous") and two tracks were associated with the album "Behaviour". Many songs are included more than once with "Yesterday, When I Was Mad" being represented no less than three times. 

The perfect mess is completed by a terrible continuous mix by Danny Rampling that has vinyl surface noise and some songs played at completely the wrong speed. I fully understand that Rampling needed to use traditional beat matching techniques (it was 1994 after all) but the end result sounds almost comical in places.

The remixes of this era are definitely not the highlight of the Pet Shop Boys back catalogue and the decision to include such terrors as the E Smoove mix of "Liberation", Junior Vasquez's take on "Yesterday When I Was Mad" or "I Wouldn't Normally Do This Kind of Thing (DJ Pierre Wild Pitch Mix)" are as alarming as they are puzzling. 1/5