When I first heard these remixes (all made by producer Crooked Man - hence the title) I was in complete awe and I became increasingly desperate to hear them from vinyl. These mixes are probably best described as deep house dub mixes but there is some variety that means this record offers a good listening experience and isn't just a tool for DJs.
"Kingdom of the Machines" is a take on "Kingdom of Ends" that features a bassline so good it bends my mind. The vocals blend seamlessly with the building beats and atmospheric synths as producer Crooked Man whips us up into a frenzy. It's a stunning piece work. Second track "Echo Returns" takes the album track "Narcissus" and turns it into a dreamy meditation that can either be transcendental or irritating depending on your frame of mind.
In remixing "Incapable" Crooked Man creates the stupendous "Capable Rhythm" which has a bassline that is simply mind blowing. Róisín's vocal remains intact on this one and ensures this track remains six minutes of pure pleasure. "Assimilation" is a slightly slower, brooding mix that exposes a dark underbelly of "Simulation". We soon emerge from the shadows with "Crooked Madame" which throws glitter on original album version of "Shellfish Mademoiselle" and comes up with a brilliant dance floor groove.
On the second disc, "Something More" is transformed into "Less Is More" which stomps along quite happily and reminds me a little of the sound of Moloko. The first disappointing mix is "Name Changer" which neither has the irresistible basslines or innovation of other mixes here. I like "We Are The Law" as it removes the vocal manipulation applied the original "Murphy's Law" and gives the song a new lease of life. To finish, the disco panache of "Jealousy" is twisted into a sort of breakbeat mayhem that brings back happy hardcore memories. All in all this is one of the best remix albums you are ever likely to hear and you don't necessarily have to be a fan of the original album to appreciate its majesty. 4/5
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