Level 42 emerged from the eighties battered and bruised by line up changes, bereavement and challenges in their personal lives. Despite the issues the band faced, Mark decided to rally the troops and record new material once again in 1990. Yet when the record was finally complete, Polydor declined to release it and seemingly cut ties with the group.
I guess this decision was partially driven by a change in the music scene at the start of the nineties. Artists like Black Box, Snap!, and Adamski had begun to signal the sound of the future and some record companies began to think bands like Level 42 only pointed to yesterday. Luckily for us, Mark et al decided to shop the album around and found a deal with RCA who released "Guaranteed" in 1991.
The title track sounds like a lead single should: it's poppy, upbeat and has a good hook. My only gripe with this track is that it is too busy; none of the parts are given room to breathe and the song sounds like a relentless 'wall of sound'. The second single "Overtime" is a funkier affair that I really like, but it is still slightly lacking in the dynamics that were present in earlier albums.
"Her Big Day" represents the first dip in quality as whilst the music is good, the lyrics are really quite appalling. The next track "Seven Years" sounds like an imitation of Sting and there is some crossover as guitarist Dominic Miller played with both artists. The funk returns with "Set Me Up" which sees a welcome vocal contribution by Mike but there's not really much going on in terms of melody.
The fabulous "My Father's Shoes" was considered quite a departure for in sound when it was released and I remember it being played on some sort of "Jukebox Jury" programme on the radio for the panel to guess who recorded it (they did thanks to Mark's distinctive vocal). The band don't seem to play this song live and it is a real shame that it has become a little forgotten. "A Kinder Eye" is a strange song as the lyrics aren't really the normal subject matter for Level 42 and the sound production is quite old fashioned. The Yamaha DX7 had been around for seven years by the time this album was recorded and some of its presets had become really clichéd. And yet, here are Level 42 belting out countless tracks that are absolutely smothered in E.PIANO 1. This is not to say the DX7 was redundant by the time this record was released, but using it so liberally was hardly likely to make your record sound contemporary. The final track here is a Gary Husband composition "If You Were Mine" which is technically excellent but can't decide if it is a pop song or a soul track and ends up a bit of a mess. 3/5
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