As you might expect by now, the fist track "From East to West" begins with an atmospheric introduction and the distinctive 'Enigma horn' sample. Things seem to be all set up for a familiar slice of Gregorian chants, Shakuhachi flutes and wailing guitar solos. But as the piano twinkles over an increasingly syncopated beat you begin to realise this album is going to be a bit different to previous outings.
The title track sees a welcome return for Sandra and features a unique bassline that frames the song nicely. "Incognito" seems to be paying homage to Yello in some way. Whilst imitation is the sincerest form of flattery, Herr Cretu would have been better served leaving Yello to be Yello: after all they are quite good at it. "Page of Cups" is a better effort with a great rhythm and some fine hooks but it is overly long. The single "Boum-Boum" sounds a little trite at first, but if you can accept the lyrics it becomes a good pop song.
"Total Eclipse of the Moon" is one of those quieter tracks where Michael Cretu treats us to his rasping vocals before the song suddenly cuts off like someone has pulled the plug. "Look of Today" offers the first glimpse of a truly dance floor friendly groove that repurposes and contorts the chorus of "Look of Love" by ABC. From this description I wouldn't blame you for thinking this song sounds awful, yet somehow it succeeds very well.
Another success is "In the Shadow, In the Light" which benefits from the vocal talents of Andru Donalds. "Weightless" is rather a maudlin but mercifully short piece - as is the instrumental "The Piano". We end on a high with the wonderful "Following the Sun" which sees a welcome return to Ruth-Ann Boyle on vocals. As the uplifting melody weaves its way along I am reminded of Mike Oldfield songs such as "Man in the Rain" or "To Be Free". A great finale. 4/5
