Aventures in vinyl

I recently acquired a new turntable. Consequently I have spent quite a lot of time collecting new vinyl from a wide variety of sources. I have bought from eBay, collector web sites, charity shops, big chains like HMV and independent record shops all across the country.

I have bought ‘mint’ or ‘excellent’ records that look like they have been stored in a dust trap and conversely I have bought 30 year old vinyl that plays and looks as good as the day it was pressed. I have received flimsy 12” singles that I won for 50p wrapped in the sturdiest and most frustratingly secure packaging known to man. I have also received much anticipated eBay victories stuffed in a jiffy bag without a stiffener and its fate trusted to the Royal Mail (it turned up with a heavily creased sleeve but vinyl intact). I have bought record cleaning brushes, a new stylus, cartridge protractors and all kinds of protective covers. So what have I learned from all of this?

The remastered Kraftwerk LPs are by far the best I have bought

Modern remastered vinyl sells at a premium: Most modern pressings are often of a very high quality and that is reflected in the price. You get what you pay for I guess. The soundtrack to “Blade Runner” by Vangelis (2013) is £28-32 depending on where you shop, but is worth every penny. The remastered Depeche Mode (2007) and Kraftwerk (2009) LPs are fine examples of what is possible with brilliant mastering and virgin heavyweight vinyl but average out at £20 each. However….

Brand new 180g vinyl doesn’t guarantee quality: The reissues of Mike Oldfield albums such as “Crises” (2013) are lamentably inferior to the Kraftwerk repressings and quite disappointing. In 2011 Jean Michel Jarre’s first three LPs were released on vinyl for the first time in 20 years. Vinyl does have its limits and these releases highlight the compromises that must sometimes be made. The higher frequencies seem attenuated making the music sound dull, especially in tracks such as Equinoxe Part IV (with a terrible edit at the end of Part VII ruining the second side of the disc).

Not many people understand how to grade a second-hand record: When buying records, major suppliers and collectors use the system created by Record Collector Magazine. The average seller, who is often ignorant of the grading system, will commonly list a record as “good” when it should be graded as “excellent” and vice vesa. Buying vinyl on eBay from private seller is something of a minefield as a result. It took me 5 attempts to secure an “excellent” condition of one LP. Most people simply don’t refer to the condition of the record and this should be a warning!