Having recently purchased the ‘remastered’ versions of Blancmange’s three albums and with New Order’s ‘collectors’ editions in the post, I have begun to consider why I’m buying music I already own.
In recent years, I have purchased numerous ‘remastered’ CD’s including the entire back catalogue of Depeche Mode, Eurythmics, Pet Shop Boys and Yello, along with various reissued versions of albums by Front 242, Level 42, Orchestral Manoeuvres in the Dark and Gary Numan. These are the CD’s that immediately come to mind, I am sure if I thought further there would be many more. The amount of money I have spent is quite staggering and yet I already own much of the music I am buying; I am being sold the same thing twice. So why am I a sucker for reissued albums and singles?
Well firstly, there is the lure of previously unreleased material or remixes that are otherwise difficult to acquire. Secondly, these CD’s boast that they offer considerably enhanced audio quality. We are also enticed by new or improved artwork, which provides a feeling of luxury or elitism.
Yet the reality is not always the experience we are promised. On purchasing a new ‘remastered’ CD, I often find myself immediately jumping to the bonus tracks. Often it becomes apparent why this ‘unreleased’ material was not made available originally: its crap. I have even come across CD’s where the master tape is obviously missing and thus a recording has been made from a vinyl source. Hardly the high fidelity experience you are enticed with.
Similarly, 99% of reissued CD’s seem to have been created by people unfamiliar with the artists work or just plain incompetent. Often you will find that tracks have substituted for their ‘single mix’ or an uncredited alternate version with absolutely no explanation. Remixes are often labelled incorrectly, glaring omissions are made or the running order has been altered. Not one of the reissued CD’s I have purchased have been immune from one, or more of these mistakes. So record companies take note: if you want people to buy even more of the music they already own, get someone competent to compile it.
