Pet Shop Boys @ 02 arena

Well I have to blog my visit to see Pet Shop Boys on their Pandemonium tour at London's 02 arena. They were quite brilliant. 

One of the things about seeing artists live is that they often play the tracks as they sound on their album. Yet the Pet Shop Boys often take a more imaginative approach and present their tracks in new remixed versions coupled with stunning visuals. Particular highlights for me were the re-workings of "Why Don't We Live Together?" and "Two Divided by Zero". The Shep Pettibone Remixes of "Love Comes Quickly" and "West End Girls" sounded as fresh as they did when they were first released in 1986.

Only a few grumbles. The sound was pretty poor in terms of quality and also far too quiet for a venue of this size. The 02 which encloses the arena, and the transport links seem to struggle with large numbers of people leaving at the same time. Having to walk around the entire 02 to get out is not good planning. The merchandise was rather expensive and not a massive amount of choice. A disappointment to me. Roll on December and the MEN in Manchester (which I didn't make as the snow was so heavy the trains were cancelled).

eBay box sets

It seems that some people bought more than one of the 300 ultimate edition box sets of the Pet Shop Boys album 'Yes' in order to make a profit. eBay has two listings currently.

• Listing one
• Listing two

£1000 start price seems a bit ambitious to me. Most 'hardcore' collectors who are willing to pay through the nose for this sort of product already have a copy and I can't see these sets for selling for more than £600. But that is still double what they cost. Not a bad investment.

Junior Boys live

Seeing band live is always an exciting and unique experience. Thus, it was with some relish that I drove to Manchester University a couple of days ago to see Canadian electro gods Junior Boys. The intimate 'club academy' provided the perfect venue for the sonic beauty that is the music of the Junior Boys.

Tracks such as 'Hazel', 'Work', "Counting Souvenirs', 'Birthday' and 'In the Morning' created an almost club like atmosphere with deep basslines and electro riffs. Whilst the arrangements varied little from their album counterparts there was more than enough energy in the performance to generate the atmosphere required to get the crowd dancing.

The only down sides to the show were that Jeremy was obviously ill and in his own words, only "95% certain he was playing a show". This may have contributed to the fact that his vocals were almost indistinguishable in the mix. Why they choose (like so many electronic bands) to include a drummer and a guitar in their live set up is quite a mystery. On more than one occasion I was ready to shout: "Oi! Greenspan put the guitar down". Yet as he later admitted, we could shout whatever we wanted and he couldn't understand us (presumably due to our English accents).

Junior Boys come highly recommended. My favourite album is 'So this is goodbye' which along with Soulwax's 'Nite Versions' is a modern classic of electronic music.

Confessions of a producer

I recently stumbled upon a website featuring the reminiscences of producer Mike Thorne. Amongst the fascinating essays on the site is a production note centred on the recording of the band’s first album ‘Non Stop Erotic Cabaret’.

In terms of the history of electronic music, this album is of prime importance. For the first time electronic music was becoming more than just a curio obsessed over by an underground cult. Soft Cell took the purely electronic formula and thrust it firmly into the pop charts all over the world.

Yes Kraftwerk wrote some great purely electronic albums in the 1970’s but they didn’t achieve the success of ‘Non Stop Erotic Cabaret’. Similarly, Gary Numan had topped the charts with his electronic sound for some time, but all of his work included a conventional rhythm section with an electric bass and a drummer.

Mike Thorne and Soft Cell were amongst the first who ditched the conventional drummer and let their drum machine do the work. In 1981 this was a bold move for a group attempting to achieve commercial success.

Thorne gives us a fascinating insight into the production of early electronic music and this site comes highly recommended. If nothing else it has put ‘Non Stop Erotic Cabaret’ back on my play lists and that can’t be a bad thing.

Yes box set: the verdict

Well, the Pet Shop Boys ‘Yes’ box set has been out for a few days and here is an inside look at what you get for your £300.

Firstly, the box set is delivered in a sturdy box packed with thick bubble wrap to cushion the impacts that the Royal Mail will surely inflict upon it.

Inside the bubble wrap, a clear plastic bag holds your investment and protects it from scratches.

Once out of its cocoon, the box set consists of a very shiny, opaque, black Perspex box with a gold coloured metallic ‘tick’ to the front. One detail I did not notice until opening the box was a door to the side of the box which is held in place by two magnetic catches. This door simply lifts off to reveal the records themselves.

Within the box there are 12 LP sleeves, each of a different colour. 11 sleeves contain 12” singles. Each disc plays one album track and the instrumental version on the b-side.

The twelfth sleeve is white and has the coloured tick from the ‘Yes’ artwork to the front. Inside there is a glossy card which lists the album credits and states this is a limited release. Also in the white sleeve is an art print which is signed and numbered (very clear full signatures in black pen).

Each sleeve has an inner which lists the lyrics on one side and a picture which forms part of a large mosaic portrait on the reverse. Each 12” has a plain coloured label and an indication of which side is facing.

The merits of this release are not in the music it contains. Some people (all of whom did not order it) feel it is amusing that the 'exclusive' instrumentals on this release will inevitably be widely available on the Internet in the near future. I, like most people who ordered this box set, couldn't care less about the 'exclusivity' of the music. I welcome digital copies of the instrumental versions which will save me from having to play my records. £300 for records you are not going to play? That's insane!

Well, no it's not insane. Looking at this in purely financial terms it represents a sound investment. With only 300 available, the few box sets being advertised on eBay are already fetching considerably more than the £300 retail price. By not subjecting the vinyl to wear/dust/static/scratches the condition is maintained and thus the value enhanced. Not playing the records makes sound economic sense.

Aesthetically this box set is also very pleasing. The whole point of this set is that it is a luxury item that could almost be considered a piece of art. It is crafted from fine quality materials and pressed on a relatively small scale. It's high cost also ensures its elite nature.So on the whole I am very pleased I ordered it and that I am able to justify such a huge price tag to myself. I just hope they don't make any similar box sets for future albums as I still have to eat and pay the mortgage.

Arrival

Well it's here......

It's pretty good, but not sure its enough to justify a £300 price tag. More thoughts as I assess my bank account and the product.

Tired of waiting

The extra special 'ultimate' edition of the latest Pet Shop Boys album got me really excited when it was announced. Having said that if you waited until it was officially announced you were likely to have missed out on one of the 300 11x12" box sets.

The promised release date of April 25th came and went. We are approaching June and still no box set. They were quite happy to take my £300 months ago, but it seems they are not so happy to actually get on with manufacturing the thing.

My initial excitement has been replaced with disinterest and boredom. Even the pictures on Mark Farrow's website of the initial proof copies has failed to rouse my interest. I'm just so sick of waiting.

But, no you can't have mine.