Up to press this EP is the last original material Level 42 have generated. There is a small sleeve note that says "We've come full circle" suggesting someone in the band thought this record was something of a return to their roots; but believe me, it is no such thing.
As the first track "Sirens" begins you can't help but notice that there are TR-909 snare and hit hats! Mark's distinctive funk bass is rattling along whilst Mike plays some astonishing Rhodes piano - but those beats sound so out of place on a Level 42 track. Like much of the material on this EP, this isn't a traditional song but more of a groove with various soloists taking turns in the spotlight.
In fairness to the author of the sleeve note, the next track "Too Much Time" does hark back to the sound of albums like "Standing in the Light" but Mark's use of profanity points to the fact that this music is being made with little consideration for its commercial potential. The last track on side one is "Mind on you" which starts with a Samba infused rhythm section before evolving into a kind of soul influenced disco record that is a little too long at eight and a half minutes.
"My Independence Day" has a rolling bassline that is borrowed from "State of Independence" by Jon & Vangelis but there's enough originality in Mike's vocal to allow this to be considered an original composition. There's some great brass on "Build Myself a Rocket" but in truth this is a largely superficial composition that can't be regarded as one of the bands finest works. I have never known what to make of the final track "Where's Yo Head At?". Musically it is clearly unrelated to the Basement Jaxx track of the same name but it doesn't strike me as the kind of phrase the band would normally employ. Things sound a bit messy on this track as producer John Morales attempts to beef up Ray's acoustic drums by layering the TR-909 on top - I'd prefer one or the other. Like much of the album, this last track is just too repetitive and leaves me feeling a little disappointed. 2/5
