Showing posts with label Toy Matinee. Show all posts
Showing posts with label Toy Matinee. Show all posts

One record at a time: 426. Toy Matinee - Toy Matinee

During the dark days of the 2020 COVID lockdown, the YouTube algorithm threw me Guy Pratt's "Lockdown Licks". I enjoyed these videos and marvelled at how effortlessly Guy played the bass guitar. The seventh instalment of the series featured a song he had played on called "Last Plane Out" by Toy Matinee. I'd never heard of either the song or the band, but I enjoyed what I heard so much I decided to investigate further. 

Toy Matinee was a short-lived project that resulted in the release of one eponymous album in 1990. The album didn't sell that well and by 2020 it hadn't been available for almost twenty years. It took a few weeks, but I did manage to track down a compact disc at a reasonable price on eBay. Having sensed the resurgence in Toy Matinee, the clever people at Music On Vinyl decided to licence it and release this limited edition blue vinyl in 2022.

The credentials for Toy Matinee are excellent. Keyboards and songwriting were provided by Madonna's producer Patrick Leonard and his talented protégé Kevin Gilbert handled songwriting, guitar and vocals. The record was produced by the illustrious Bill Bottrell and the band featured a plethora of excellent musicians - including Guy Pratt on bass who also contributed to songwriting duties. 

"Last Plane Out" begins the album and is clearly the standout. Not only is this catchiest song but it is also the most original composition on the record. The bass is deep and funky and the elaborate guitar is very impressive indeed. Whilst there are some other good songs on the record, it is all a bit downhill from here.

The band's various influences emerge quite strongly as the record goes on with a fair bit of Elvis showing on "The Ballad of Jenny Ledge" and a flash of The Beatles heard on "Turn It On Salvador". There are some satisfying disco bass licks on "Queen Of Misery" and the title track sounds like it was lifted straight from a Dire Straights session.  

With both Leonard and Bottrell in the room you would think the production on the record would be outstanding, but in truth it is a fairly dry 'band in a room' affair largely devoid of electronics. There are flashes of synth on the introduction to "Queen of Misery" but otherwise Guy Pratt's octave pedal is the closest we get to any original sounds. If you like traditional rock then this might be a record you enjoy. As a fan of electronic music, I only appreciate the first track. 2/5