One record at a time: 350. Pet Shop Boys - Please

At long last we reach the Pet Shop Boys section of my collection. I have a hefty selection of studio albums, remix albums, compilations, bootlegs and live recordings to work through over the coming months. As you can see from the picture, I also tend to have multiple copies of each album.

"Please" was Pet Shop Boys debut LP released in 1986 and here we have two copies of the original UK pressing (one to play, one as archive), two copies of the 2018 remastered version (one to play, one archive), the original USA pressing and a copy from Japan. I haven't yet bought one of the European versions with an enlarged photo on the sleeve as the last one I saw for sale was £80. Yes, I am a collector, but I am a frugal one.

I remember being amazed the first time I heard this album from a Maxell UR90 cassette back in the eighties as the boys go straight for the jugular with an electro infused masterpiece called "Two Divided by Zero". There's something magical about this song with its various bleeps, robot voices (sourced from a Sharp ELSI MATE EL-620 calculator) and tales of escape - I hadn't ever really heard anything like it before and I still think it sounds glorious almost forty years later.

Hot on the heels of the electrifying opener is the classic single "West End Girls". This remains an iconic moment of eighties pop and was recently voted the ultimate Pet Shop Boys track in an online poll for a national radio station. Next up is the equally iconic "Opportunities (Let's Make Lots of Money)" which thunders along with samples of falling scaffolding, pounding basslines and mechanical beats pouring from the Fairlight CMI. The plethora of singles continues with "Love Comes Quickly" which is undoubtedly a beautiful song, but it lacked that killer edge that would have made it a bigger hit.

When I was at school your preference for the album version or the radically different single mix of "Suburbia" was a matter of contention. The intelligentsia preferred the no-frills album cut and the trendy pop crowd favoured the reworked Julian Mendelsohn mix. Personally I have fond memories of hearing the single mix on a cassette of "Now That's What I Call Music! 8" but the version featured here definitely has its merits. 

On the flip side there is a superfluous reprise of "Opportunities" before we launch into a series of less well known album tracks that tackle more adult themes. "Tonight is Forever" talks of enduring love, Neil points to the folly of "Violence" and "I Want a Lover" is unashamedly carnal. The final track "Why Don't We Live Together?" always baffled me in my youth as there doesn't seem to be any hidden meaning or ambiguity. Right from the start of the Pet Shop Boys career I seemed to have attuned myself to the veiled cynicism and subversive nature of Neil's lyrics; anything sincere left me wondering if I had missed the joke. This album really is the perfect melting pot of razor sharp lyrics, catchy tunes and state of the art eighties production. 5/5