One record at a time: 391. Röyksopp - Lost Tapes

In 2019 Röyksopp began curating a Spotify playlist that contained rare B-sides and previously unreleased tracks. By the summer of 2021 fifteen tracks had been added to the playlist and it had attracted enough interest to tempt the band into releasing some of the songs on physical formats. I say 'some of the songs' as the last 5 entries on the playlist weren't included on this record and are only available on digital formats. Who knows - maybe we will have a volume two one day?

There was something about the decision to create "Lost Tapes" that led me to believe Röyksopp's stance of no longer releasing traditional albums wasn't as resolute as we were led to believe. You could argue that as a compilation this doesn't fit the definition of a traditional album - but this really would be splitting hairs. I celebrated this record for what it was: a new album from Röyksopp.

The instrumental "Rising Urge" was a hidden track on some pressings of the "The Inevitable End" compact disc but I had never heard it until this compilation came along. This track is electrifying and proves to be a perfect atmospheric introduction. We get our dancing shoes on for "I Wanna Know" which was previously released via the band's website in 2010. This song has a electroclash feel with a great melody but its relentless nature can be a little overbearing at times. There's much more dynamic contrast in songs such as "In The End" or even "I Just Don't Understand You" which are more refined to my ears.

The very thought of Röyksopp and Susanne Sundfør covering Depeche Mode's classic b-side "Ice Machine" was enough to set electronic music fans salivating back in 2012. However the track wasn't really made widely available and it took on a mildly legendary status as a result. And its reputation is well deserved as it is both faithful to the original and offers a unique take on the song.

For me the fourteen minutes of "Shores of Easy" is a mesmerising experience that deserves to be turned up high and given your full attention. I like these long form pieces and wish Röyksopp would peruse them more. Tracks like this and "Rescue" almost follow in the tradition of Jarre, Vangelis and Mike Oldfield and give a much broader canvas for the band to play out their ideas.

Until I began listening to Röyksopp's back catalogue for this blog I don't think I really appreciated just how much I like them. Make no mistake, this band are electronic music royalty and I have a feeling I will be listening to them much more going forwards. 4/5

One record at a time: 390. Röyksopp - The Inevitable End

Even with a title as manifest as "The Inevitable End" I never really believed this was going to be the final album by Röyksopp. When I look back to the events of 2014, Svein and Torbjørn were never really clear on what their plan was beyond saying, "we won't make any more traditional albums", therefore it didn't really come as a surprise when they eventually resumed releasing records and the whole thing turned out to be a bit of a fuss over nothing.

I bought this record on the day it was released and I have loved it from the first time I heard it. There's so much variety and contrast in these songs that it is almost impossible to become bored. There are one or two more introspective and melancholy moments that are a little drawn-out, but generally everything here is catchy and succinct.

There can be no doubt that Röyksopp are one of few electronic groups that have a unique sound and those singular characteristics are woven into all of these songs. My favourite on this album is a superb collaboration with Jamie Irrepressible called "I Had This Thing" which emerges from a tender chrysalis into a soaring anthem. Another joint effort with Irrepressible titled "Here She Comes Again" is also worthy of praise as is the collaboration with Robyn titled "Monument". However the second effort with Robyn titled "Rong" sounds like some sort of angry adolescent chant. There's not a lot to like in this song's childish profanity and its boring repetition means I skip it every time. 

Happily there are many more great songs on this record with opening track "Skulls", the excellent single "Sordid Affair" and "Running to the Sea" with Susanne Sundfør being stand outs. The coda of the album features a couple of downtempo songs that allow things to wind down as the band say their goodbyes. 4/5

One record at a time: 389. Röyksopp - Senior

"Senior" is an instrumental album containing downtempo tracks that act as a counterpoint to preceding album "Junior". Prior to its release I remember reading rumours of this album's existence, but for some reason I assumed it would never see the light of day. So when this record was finally made available in 2010 I was quite surprised.

If you have become accustomed to the frenetic dance rhythms of previous entries in the Röyksopp back catalogue it can take a minute to retune your ears and enjoy this record, but it is worth the effort. 

Much of this album could be classified as ambient or experimental and, in a way, it reminds of some of Jean Michel Jarre's more atmospheric moments.The pieces that really catch your ear on this album are "The Drug" and "The Fear". Also worthy of mention is "Tricky Two " which takes the cut "Tricky Tricky" from the previous album and excises the vocal to great effect. 

As well as the layers of synths there are lots of acoustic drums, electric bass and guitar used on this album but, much like Röyksopp's other work, these instruments compliment the electronics rather than clash with them. This 2018 repressing of the vinyl the usual high quality cut created by Optimal Media and is very sympathetic to the music. 3.5/5

One record at a time: 388. Röyksopp - Junior

At one time Röyksopp's music was seemingly omnipresent. Everywhere I went in 2009 I heard the single "Happy Up Here" and it burrowed it's way into my brain until my purchase of  "Junior" became inevitable. I went on to buy this double LP when it was repressed in 2014 and, as with all Röyksopp vinyl, it sounds very good indeed.

I have become so accustomed to the jaunty tones of "Happy Up Here" serving as an introduction to the album that the brooding tones of "Röyksopp Forever" come as a surprise when listening to the vinyl. However, make no mistake this is one of the best tracks on this album and it never fails to impress me with its superb string arrangement and laconic bass.

There some great vocal tracks on this record with the single "The Girl and the Robot" and "True to Life" being my favourites. I'm not a fan of "Miss It So Much" and the terrible lyrics on "Tricky Tricky" ruin the song. So whilst here are many great tracks on this album, it isn't as consistent as its two predecessors and I do not enjoy it quite as much as a result. 3/5

P.S. It has been brought to my attention that I am wasting time writing the band name with an umlaut as this mark isn't used in the Norwegian language. So I will state that I am just trying to follow the same convention established by the band and am aware this is just an aesthetic choice.

One record at a time: 387. Röyksopp - The Understanding

Having enjoyed their debut it was inevitable that I would buy Röyksopp's second album "The Understanding". As usual I originally purchased the compact disc back in 2005 and this double LP came along much later in 2014. Like "Melody A.M.", this vinyl mirrors the original pressing as it has a different running order to the CD. As this vinyl was made by Optimal Media it sounds pretty much flawless, but I would have liked just a little more bass to make it perfect.

Things kick off with the magnificent "Only This Moment" in which we hear Svein and Torbjørn singing for the first time. There are lots of indicators the band began to feel more confident on this record, but the presence of their vocals is probably the biggest signal. The atmospheric "49 percent" follows soon after with brilliant vocals and lyrics provided by Chelonis R. Jones. The first side of the first record rounds out perfectly with "Beautiful Day Without You" which provides some excellent downtempo vibes to compliment the more frenetic sounds that preceded it.

Elsewhere we hear "What Else Is There?" in which Swedish vocalist Karin Dreijer sings some slightly strange lyrics over a brilliant synth-pop backing track. Hearing "Triumphant" on the final side is a little strange when you are accustomed to it opening the CD, but the music is so good it doesn't spoil the experience. And if "Alpha Male" isn't one of the best slices of electronic music ever created then I will eat my hat. 4/5

One record at a time: 386. Röyksopp - Melody A.M.

Sometime in the early two thousands I had become aware of a group called Röyksopp as one of their songs was featured on a TV advertisement. When a friend played me another of their tracks called "Eple" I decided to buy their debut album "Melody A.M.". 

However, I had a very had time finding the compact disc in the shops and ended up having to buy a costly import. Thankfully I liked the album enough to justify the expense and became an admirer of the band. 

Fast forward twenty years and the band's official website conformed the album would be re-released as a numbered "20 year anniversary edition" - I ordered it immediately. This record is split across two slabs of vinyl and features nine tracks. The compact disc actually contained ten tracks but "40 years back / Come" is omitted and the running order has been changed. However, all of these differences are carried over from the original 2001 pressing, so you could argue this record is offering an authentic experience. The vinyl itself is very quiet and sounds very good indeed (I didn't need to check the credits to know it was pressed by Optimal Media).

"So Easy" and "Eple" will be well known to anyone who had a pair of working ears and lived between the years 2000 and 2005 as they seemed to be heard everywhere. Personally I think "Röyksopp's Night Out" is a masterpiece that offers wonderful complexity and intricacy whilst remaining accessible. Another favourite of mine is "Poor Leno" which features Erlend Øye on vocals. When I went to see Röyksopp live it was this song that blew the roof off the venue and got every single person in the room dancing. There aren't many albums that have stood the test of time as well as this one - it sounds like it was created yesterday. 4/5

P.S. Also of interest is the promo LP which had hand printed artwork by the then relatively unknown street artist Banksy. There are only 100 of them and they seem to command rather silly prices on the second hand market. Still, Discogs says only 80 people have said they own one - so if you happen to have a copy in your attic do drop me a line.

One record at a time: 385. Trent Reznor & Atticus Ross - Watchmen: Vol. 03 (Music From The HBO Series)

Volume 3 of Trent Reznor and Atticus Ross's soundtrack to the TV series "Watchmen" is a much more "ambient" and minimalistic than the first two instalments. In fact this music here is so spartan that I have read of people playing the record at the wrong speed without realising it.

This album has none of the raucous or heavily synth driven pieces found on the first two volumes, but cues like "The Waiting Sky" or "A Stronger, Loving World" are still mildly entertaining. 

This album is probably intended to be given your full attention and experienced as a continuos flow of music. However, I can think of better things to do with 45 minutes than listening to a drone. In all honesty, I can't see me playing this record again anytime soon.  

The real genius of this record is the artwork that credits it to "The Nine Inch Nails" with the fictional title "The Manhattan Project". The record itself is a very nice pressing and, unlike many others, mine has no issues on playback. 1/5