One record at a time: 382. RAH Band - Mystery

For many years I worked in environments where people would leave a radio playing all day. The majority of the time this meant I had to endure whatever ephemeral pap was in the charts, but now and again I did discover something exciting via the airwaves.

One such occasion when Ken Bruce played the full 6'45'' album version of "Clouds Across the Moon" by RAH Band on BBC Radio 2.

As soon as the song began I was intrigued by both the lyrics and the vocalist. There was a very tongue in cheek operator talking about valuable deep space communications and some plastic horns that thrilled and appalled me in equal measure. I also thought I could hear a TR-909 drum machine mixed in with the Simmons toms and lush orchestral arrangement. 

Whilst I found this heady brew quite hard to place, I knew I wanted to hear it again. Once at home I researched the song and was genuinely surprised to find it dated back to 1985. Why hadn't I heard this record until 2006? I quickly downloaded an mp3 file of the song and enjoyed it very much.

Fast forward to 2019 and I came across this copy of "Mystery" whilst perusing through my regular second hand vinyl store. When I noticed the opening track was "Clouds Across the Moon" I decided to pay the £8 asking price and finally delve further into the world of RAH Band (I'm still not sure if the band name uses the definitive article or not, but as it's not on this release I will omit it). 

Whilst the vinyl I own is in fair condition, someone has written the duration and writing credit for each track on the back of the sleeve. Each time I look at the defaced cover I take comfort in the knowledge that the culprit probably served jail time for such offences.

RAH band are the brainchild of multi-instrumentalist and all round clever clogs Richard Hewson. All of the songs on this disc are written by Hewson and sung by his wife of the time Liz. Whist "Clouds Across the Moon" is their commercial peak they are from being a one hit wonder. Hewson is clearly a very talented musician and his jazz-funk influences result in a rather unique take on eighties synth pop.

After the brilliant opening track we hear "Night Wind" which you will be pleased to hear isn't about nocturnal flatulence but is actually seven and a half minutes of funky disco. Yes it sounds a bit chintzy to modern ears and would benefit from an edit to reduce the run time, but you can tell the composer knows what he is doing.

"Sorry Doesn't Make It Anymore" has an amazing string arrangement but like many songs on here it sounds little too stuck in the seventies. "Out on the Edge" and "Float" are highly competent funk instrumentals but the incessant saxophone solos can be tiresome. "Mystery Boy" and "Are you satisfied?" move more closely to a pop sound but the saxophones and funk guitars are never far away.

The only song that really comes close to matching the opening track is "Shadow of your Love" which deserves much wider appreciation. The superb synth work on this track is complimented perfectly by Liz's backing vocals and I almost get a sense of 'the Minneapolis sound' emerging from the speakers. 

The slightly kitsch nature of the music on this album means it will always be something of a guilty pleasure; but if you're in the mood for something from the eighties that is slightly off the beaten track then you can do a lot worse than investigating RAH band. 3/5

One record at a time: 381. Project D - The Synthesizer Album

You may notice that the artist who created these recordings isn't credited prominently. This is a deliberate tactic designed to increase the likelihood of us mistaking this for a compilation of original recordings rather the 'sound-a-like' cover versions they actually are.

Albums of this type had existed since the seventies with the "Top of the Pops" series being one of the most notorious examples. By the nineties, a shift in technology meant that people could use synthesizers and high capacity sequencers to make a myriad of albums with titles like "Synthesizer Hits", "Synthesizer Greatest" or "The Most Spectacular Synthesizer". As these albums were sold quite cheaply they were rather popular - especially with 'financially challenged' teenagers such as myself. 

The first sound-a-like album by Project D was imaginatively titled "The Synthesizer Album" and was released in 1990. A second volume appeared later in the same year (with the shocking title "Synthesizer 2") and I bought both on compact disc at the time of release. Teenage me definitely got some enjoyment out of these albums and some tracks were so good they almost sounded like remixes of the original. Yet tracks like "Balero", "Winter Games" and "Tubular Bells" felt like very strange and disappointing choices to represent 'synthesizer music'. 

The next I heard of Project D was when "Synthesizer - The Ultimate Sound Experience" was being marketed and sold directly to customers via a TV campaign. This four disc box set featured the same content as the first two "Synthesizer" albums but also included two additional discs. To my mind it is the second two discs where things go wrong here. I mean badly wrong. No...worse than that.

Alannah Myles country song "Black Velevet" is pretty awful in its original form, but played on synth presets it is in a whole new world of terrible. Other abominations include Elton John's "Sacrifice", "Kingston Town" by UB40 and the "Star Wars" theme tune all being mercilessly butchered at the alter of MIDI file mediocrity. I could go on but the horrors are too much to bear. I think it is sufficient to say some of the song choices on these last two records are frankly bizarre.

I am not certain what instruments were used to create these monstrosities but I can definitely hear a Roland D50 and possibly some Ensoniq SQ80 and a Korg T3. I hope group members Chris Cozens and Nick Magnus made some good money from this venture as they truly sold their soul to the devil in creating it. 

If you feel compelled to subject yourself to this music then listen to the first album and please skip the rest. I think I only own the box set out of curiosity and looking at it now I sense I will be making a charity shop donation very soon. 1/5

One record at a time: 380. Pet Shop Boys - Interview Picture Disc

I used to see this "Limited Edition" picture disc being sold in almost every record shop in the late eighties and early nineties. Rather than music, this record contains a poor quality recording of an interview conducted by an unknown journalist with a German accent. The conversation seems to have been held around August 1987 when the Pet Shop Boys were promoting their album "Actually".

Fans could learn quite a lot from this interview where an unusually verbose Chris Lowe gives us details on the recording of the album and some of the instruments used. We learn that J. J. Jeczalik of the Art of Noise was the Fairlight programmer on "Shopping" and that the mix of "What Have I Done To Deserve This?" on the album was the second version created. 

Everyone becomes a little coy when discussing the vocal samples on "Heart" as the interview is going to be published in Italy and nobody was ready to risk being sued (years later they would reveal that Pavarotti was one of the voices sampled). Further on Neil talks at great length about the inspiration for the songs "Rent" and "Kings Cross" and there is a brief mention of the then current litigation regarding "It's a Sin" which finds the journalist firmly on the boys side.

The interviewer mentions a reprise of "What Have I Done to Deserve This?" being listed on his promo cassette that didn't seem to play. This comes as a relief to the boys as they had decided to remove it from the finished record. The interviewer also asks if the drums on "Hit Music" are 'real' only to be told they are from a Fairlight III. As the discussion moves to the writing process and how the songs were demoed, the record ends abruptly with Neil mid sentence. 

This item is strictly for collectors and I almost considered not including it here; but it didn't feel right to miss anything out. I have two copies of this record as one was a casualty of my poor record handling in the eighties. I haven't listened to either for over twenty years so it was good to spin one of them today. 1/5

One record at a time: 379. Pet Shop Boys - The Collection

This bootleg is quite an oddity. From what I can make out it was supposedly pressed in France circa 1988 and is a compilation that includes a twenty minute megamix as one of its 'highlights'. There are only seven tracks included and the assertion that the phonographic copyright in the recordings is owned by "ALLHITS LTD." seems more than a little doubtful. At least the artwork is a good effort.

I'm really not a fan of listening to mega mixes and they only make sense as a tool for lazy DJs. The effort by "Italian Sound Inc." included here is pretty terrible as the added elements are either out of tune or intensely irritating. Another annoyance is the fact that many of the songs play the wrong speed. As a result of beat matching the Shep Pettibone remix of "What Have I done to deserve this?" sounds slow and laboured and the samples added to "In The Night" drive me to distraction. The constantly repeating thunder claps and orchestra hits that are all over "It's a Sin" provide the icing on the cake.

The other tracks included are "Heart", "Always on my mind", "It's a sin" and "What Have I Done To Deserve This?" For whatever reason we are treated to the the album version of  "Suburbia" and "West End Girls" fades out rather unceremoniously after about three minutes. This record is quite a bizarre experience. 2/5

One record at a time: 378. Pet Shop Boys - Birmingham 91

This is a bootleg recording of the Pet Shop Boys "Performance" tour from June 1991. I attended one of the three nights Pet Shop Boys played at the NEC and I like to think this recording was made when I was there (despite there being no evidence to suggest it actually was).

Unfortunately the sound quality of this double album isn't very good as it is a audience recording replete with overwhelming room ambience, crowd chatter and a total lack of dynamics. To add insult to injury, this record became largely redundant when the "Performance" video was released in 1992 and fans could finally hear the show in high fidelity.

Personally I felt the set list for the "Performance" tour was rather disappointing. Whilst most of their hit singles were represented, I found it puzzling that they chose to include two songs from Liza Minnelli's "Results" album and the decision to allow one of the backing singers take over for "My October Symphony" was equally questionable. 

Highlights are the use of the Shep Pettibone remix for "What Have I Done To Deserve This?" and the blend of mixes on "We All Feel Better In The Dark". At the concerts themselves I found "I'm Not Scared" especially impressive but none of that dynamism comes across on these recordings. To be honest, the only value in this record is as a collectors item. 1/5

One record at a time: 377. Pet Shop Boys - Abbey Road Demos

This is a terrible bootleg that gathers together a seemingly random selection of unfinished mixes and demos. Not only is the sound quality pretty poor but the record needs to be played with the pitch down by about -6 to sound anything like it should. The source for these recordings is clearly a cassette that has been duplicated repeatedly and the muffled sound reproduction has absolutely no dynamics. 

Of the music itself we hear a slightly different mix of hit single "It's A Sin" and early mixes of "Rent", "What Have I Done To Deserve This?" and "You Know Where You Went Wrong". Despite being tagged as demos, I think these are actually alternate mixes created as part of the recording process for the finished product - we know that there were initial attempts at mixing both "It's A Sin" and "What Have I Done To Deserve This" that were rejected, so these could be those first versions.

Also featured is the "Breakdown Mix" of "I Want To Wake Up" and the short version of "One More Chance" that would go on to be officially released on the "Further Listening" disc that accompanied the remastered version of "Actually" in 2001.

To my mind the only genuine demos on this disc are "It Couldn't Happen Here" and "James Bond #1" (the latter being an early version of "This must be the place I waited years to leave"). Whilst it is possible that these two demos were made at Abbey Road, I think most of the material on this record was created as part of recording sessions at Advision or Sarm West studios and the title is misleading. 1/5

One record at a time: 376. Pet Shop Boys - Heaven

On 15th October 1991 Pet Shop Boys performed at Heaven nightclub in London as part of the launch party for the Derek Jarman film "Edward II". This event was billed as a benefit to raise funds for AIDS research at St. Mary’s Hospital in London and saw the boys play a short set of eight songs alongside guitarist J.J.Belle and three backing singers.

This record is a bootleg recording of the show and was released sometime in the early nineties. I seem to think I acquired this particular copy from a record shop in Manchester about ten years ago. People will try to sell you this record online for crazy prices as it is relatively rare, but it is not official and the sound quality isn't very good.

For this show Pet Shop Boys decided to play for about forty minutes and concentrated on, “Good dance tracks, so people could jump around a bit.” Despite wearing costumes from "Performance" on the sleeve of this record, only two songs from that tour were played and the nightclub atmosphere lends itself nicely to newer pieces like "Music for Boys" and "DJ Culture".

This concert also seems to have been the premier of the new song "Was It Worth It?" and footage form this performance was even worked into the subsequent video for the single release. Unfortunately the sequencers seemed to break down during "It's Alright" and it can be no coincidence that programmer Lawrence Cedar doesn't seem to have worked with the Pet Shop Boys since. 2/5